25 great albums turning 50 in 2024

These classic discs—from artists such as Aerosmith, David Bowie, Joni Mitchell, and the Rolling Stones—stand the test of time

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25 great albums turning 50 in 2024
L-R: Linda Ronstadt (Michael Ochs Archives/Getty Images), Mick Jagger ( Evening Standard/Getty Images), Steven Tyler (Laurance Ratner/WireImage), Joni Mitchell (Central Press/Hulton Archive/Getty Images) Graphic: The A.V. Club

Looking back from the perspective of a half-century, it’s clear that 1974 is where the classic rock era started to peak. Survivors of the 1960s continued to flourish while new acts influenced by these very artists started to emerge. The passage of time and the prevalence of album rock radio tends to erase the distinctions between these interlocking generations but a close examination of the noteworthy albums from 1974 reveals how many titans of classic rock were in a nascent phase this particular year. Queen, Aerosmith, and Rush were all beginning to hit their stride, while cult favorites Big Star and Gram Parsons released records that didn’t make waves on the charts but proved to have an enduring influence. Then, there were a host of major artists who were at the top of their game in 1974: Joni Mitchell, Neil Young, Steely Dan, and Linda Ronstadt all made records that helped define their careers as well as the sounds of the 1970s. This list of albums celebrating their 50th anniversary this year isn’t necessarily definitive—there was a surplus of great music released in 1974 encompassing all different genres—but what’s here is meant to capture the sound and feel of 1974, which may have been the most quintessentially ’70s year of the 1970s.

previous arrowBad Company, Bad Company next arrow
Ready for Love (2015 Remaster)

Breaking free of Free, vocalist Paul Rodgers and drummer Simon Kirke teamed up with Mick Ralphs—a guitarist who had recently left an ascendent Mott the Hoople—and ex-King Crimson bassist Boz Burrell to form Bad Company. Signing to Led Zeppelin’s Swan Song—the two bands shared a manager in Peter Grant—the quartet proceeded to define the sound of album-oriented rock of the mid-’70s. Heavy but not metallic, bluesy but lacking any sense of rootsy authenticity, Bad Company could deliver rollicking rockers like “Can’t Get Enough,” but they were at their best when they leaned into their muscular, moody side, such as on the churning “Ready for Love” and the brooding ballad bearing the band’s name.

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