The 20 best TV shows of 2024 (so far)

Gutting romances! Bloody epics! Cinematic feasts! Here are the series that have most wowed The A.V. Club this year.

TV Lists Lucia Aniello
The 20 best TV shows of 2024 (so far)
Clockwise from bottom left: Anjana Vasan in We Are Lady Parts (Photo: Saima Khalid/WWTV/Peacock/Channel 4), Julio Torres in Fantasmas (Photo: Monica Lek/HBO), Sarayu Blue in Expats (Photo: Atsushi Nishijima/Prime Video), Jacob Anderson in Interview With The Vampire (Photo: Larry Horricks/AMC), Andrew Scott in Ripley (Photo: Netflix), and X-Men ’97 (Image: Marvel Studios)

The year is almost halfway over, people. Which means that at The A.V. Club, we’re sounding off on the best pop culture 2024 has gifted us to date—and, specifically here, the TV shows that have most impressed, be they bold doses of nostalgia (X-Men ’97), cinematic stunners (Ripley), or sweeping historical epics (Shōgun, the series that, it’s worth noting, received the most points in our staff-wide poll). To be included in this list, a show simply has to have started a new season between January and mid-June (hence the absences of House Of The Dragon and about-to-return AVC favorite The Bear). Here are our 20 favorite series of the year (so far), in alphabetical order.

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Baby Reindeer | Official Trailer | Netflix

is about a man being stalked by a crazy woman in the same way Moby Dick is about a man chasing a whale. That description may be technically accurate, but it doesn’t do justice to the depth and intensity of Richard Gadd’s semi-autobiographical series. Gadd, who adapted the script from his one-man stage show, is less interested in investigating his stalker’s motivations than understanding the part he played in encouraging her and his failure to stop it when he should have. There’s a lot of trauma and shame to unpack, and he bares it all in painful, devastating detail. Since the series premiered on Netflix this past April, it’s become fodder for lawsuits and online discourse, but don’t let all the fuss over the “real” story overshadow Gadd’s writing or his unflinching performance. [Cindy White]

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