The 20 best TV shows of 2024 (so far)

Gutting romances! Bloody epics! Cinematic feasts! Here are the series that have most wowed The A.V. Club this year.

TV Lists Lucia Aniello
The 20 best TV shows of 2024 (so far)
Clockwise from bottom left: Anjana Vasan in We Are Lady Parts (Photo: Saima Khalid/WWTV/Peacock/Channel 4), Julio Torres in Fantasmas (Photo: Monica Lek/HBO), Sarayu Blue in Expats (Photo: Atsushi Nishijima/Prime Video), Jacob Anderson in Interview With The Vampire (Photo: Larry Horricks/AMC), Andrew Scott in Ripley (Photo: Netflix), and X-Men ’97 (Image: Marvel Studios)

The year is almost halfway over, people. Which means that at The A.V. Club, we’re sounding off on the best pop culture 2024 has gifted us to date—and, specifically here, the TV shows that have most impressed, be they bold doses of nostalgia (X-Men ’97), cinematic stunners (Ripley), or sweeping historical epics (Shōgun, the series that, it’s worth noting, received the most points in our staff-wide poll). To be included in this list, a show simply has to have started a new season between January and mid-June (hence the absences of House Of The Dragon and about-to-return AVC favorite The Bear). Here are our 20 favorite series of the year (so far), in alphabetical order.

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Marvel Animation’s X-Men ‘97 | Official Trailer | Disney+

Nostalgia is a dangerous substance, never more so than when you’re building a revival of an already beloved (if also unabashedly dated) TV show. Use too little, and you risk alienating the audience your project is at least partially designed to draw in; too much, and you blow out every other idea that presumably led you to make the damn thing in the first place. The genius of X-Men ’97, then, lies at least partially in its ability to manage and marshal this terrifying cosmic force, tapping into the signifiers of the old Saturday-morning cartoon it serves as a sequel to—the voices, the look, the slightly melodramatic hokiness of it all—while pushing deeper and deeper into the actual reasons people still give a damn about Marvel’s mutants all these decades later. Shockingly bold, visually daring, and willing to take on the central metaphors of mutant life with unblinking ferocity, it’s a show that goes far beyond a simple nostalgia exercise—while still scratching the itch of anyone who just wants to hear Wolverine slice up robots while calling people “Bub.” [William Hughes]

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