When it someday comes time to sum up just what Bob’s Burgers was all about, you could do a lot worse than starting with tonight’s episode. “Pig Trouble In Little Tina” gets to the heart of all five Belchers, even if a couple of them are refracted through Tina’s guilty Halloween dreams. You have Bob, the paragon of daddish ill health, suffering through life’s daily ridiculousness while begrudgingly admitting he kind of enjoys it all. There’s Linda, suddenly and completely obsessed with the waxy Moby Dick in Bob’s ear. There’s Tina, desperate to make out with Jimmy Jr. on a haunted hayride but unable to square with her conscience what she has to do in order to score an invitation. And let’s not forget Louise and Gene, who are mostly just there to help out their sister both out of and in her dreams, though in the latter case not before demanding extra arms and to be made of applesauce, respectively.
That’s as good a place to start as any—other than the small detail it’s near the end of the episode, but what the hey—as this feels like the show trying out something new. Bob’s Burgers will frequently do dream sequences or experiment with otherwise non-canonical (non-canonical!) stories, but here the show resolves Tina’s real-world plot while she’s asleep. The dream versions of Louise and Gene are around long enough that they play as indistinguishable from the real versions, give or take the extra appendages and the upgraded deliciousness. The episode even cuts between Tina’s dream peril and Bob’s real-world screaming as Linda tries to flush out the waxy leviathan in his ear. While nothing unexplainable or supernatural happens here in the world of the show—Tina felt guilty about the fetal pig, tired herself out, and had a weird dream on a hayride while Tammy apparently farted a whole lot, and that’s pretty much it—the storytelling itself feels like a very Halloween-appropriate blurring of traditional lines between what’s real and what’s not. Tina’s overactive imagination is the gift that keeps on giving here, as she is uniquely suited for sustaining stories that exist mainly, if not wholly, in her head.
The end of the hayride makes that extra clear, as Tina wakes up and finally does what she believes to be the right thing. In this case, that’s standing up for those Tammy would dismiss as uncool, first the farmer and his skeletons doing chores, and then the fetal pig. This is Tina at her absurdly overwrought best, as she demands the other kids recognize that the pig they all have either forgotten or never knew about in the first place is, in fact, really cool and looks good in hats. This could be played as cringe comedy, with Tina somehow making even more of a fool of herself than she did when she fell asleep while about to kiss Jimmy Jr. Instead, Tina’s sheer self-belief carries the day, as she finishes her speech and pulls Jimmy Jr. close for said kiss, earning Zeke’s raucous approval.
As silly as all this sounds when laid out in one big speech, it works beautifully when played out over the course of the episode. The actual underlying issue is, as the pig points out at the end, Tina feeling guilty about succumbing to peer pressure, which is a universal worry for any young teen. She might even have worked out sooner that her issues are internal rather than paranormal if not for Louise, who immediately zeroes in on demonic animal possession as the obvious answer. The Belcher kids are great at egging each other on: Tina is older and as such maybe a touch more sensible, but she’s easily swept away by her sister’s confident pronouncements. That fact takes some of the pressure off of Louise to drive the plot forward, which means the episode can feature moments where she acts less like an agent of chaos and more like an actual little girl, like when she is suddenly squeamish about pricking Tina’s fingers to draw blood. Gene, for his part, is once more on hand just to make lots of wisecracks, many of which revolve around farts and poops. Bob’s Burgers: sweet, but also gross. So, so gross.
That dynamic is on fine display with Bob and Linda’s side of the story, as they discover Bob’s sudden onset deafness is because of a pair of massive chunks of wax in his ears. This whole plotline feels very of a kind with the bit in “Uncle Teddy” where Teddy uses his plumbing equipment to pull a massive clog of goo out of the Belchers’ drain: “You smell that? It’s vile, but so vile you want to suck it into your lungs, right?” Maybe I’m telling on myself when I admit just how deeply that line resonated with me, but then I also assume Bob’s Burgers has over the past decade cultivated a community of like-minded weirdos who totally get what that’s all about. The quest to remove the gunk in Bob’s ears is the same sort of thing, as it should be pure gross-out material but isn’t really played that way—except for the frustrated patron who is loudly thankful that Bob isn’t going to flush out the bigger bit of wax in the restaurant, but then a lot of the comedy there comes from the sudden, passing reminder of how weird it is to be so fascinated by this.
Well, maybe Teddy and Mort and even Bob are fascinated by what’s in the latter’s ears. Linda is something else entirely. What starts as a mere obsession with seeing what’s in Bob’s still clogged ear morphs into a deep, plainly sexual desire to… well, it’s a little hazy exactly what about this is turning Linda on so much, so let’s just keep it simple and say the whole damn thing. While the kids—both real and in dreams—are at least vaguely on the same page, the parents’ story is more about Bob getting just disturbed enough by whatever is in his ear to go along with Linda’s silliness. The episode is smart to delay that shift until midway through the episode, as that means we first get Linda trying to stick an ear syringe into a sleeping Bob, all while the kids start working on Tina’s fetal pig problem. Here again we get some nice touches of realism in among the porcine specters and Gene’s nighttime charcuterie, as Linda twice shows up to tell the kids to get back to sleep. Moments like that make both the family and the episode in general feel more whole, which helps the rest of the episode push even further than usual into the absurd.
“Pig Trouble In Little Tina” takes a bunch of familiar elements—Tina’s interactions with Tammy and Jimmy Jr. are minor variations on what we’ve seen many times before—and makes something special by being just a hair weirder than normal. The Halloween magic hangs over this episode, and Bob’s Burgers makes the most of its license to explore more bizarre territory. But the episode works so well because the spookier and stranger elements are all ultimately on the margins, with the Belchers rarely more resolutely themselves than how they are portrayed here—even when, say, sporting nine extra arms.
Stray observations:
- “Sounds like my ex-wife! Just kidding. She’s great.”
- “Dad are you dying?” “Why does everyone keep saying that!?”
- “Lie down? And miss a hayride? Hay-ll no!”
51 Comments
It’s absurd to me how good of a show this is. It has no right to be as hilarious and adorable all at the same time.
And at ten seasons too!
Dangit this episode had so many great jokes. If I wanted to quote my favorites, I’d just end up writing out the entire script.
“Get out of there! Get out of my friend and go back to hell!!”
The review pointed out how representative this episode is of the Belchers’ various quirks, but it also showcases Teddy’s ability to get good an mad over just about anything.
I had something similar to Bob’s thing but it was in one of my sinus cavities. It gave me headaches and made one eye water all the time. When I finally blew it out after more than a week I was giddy with relief. And astonished at the size. And like Linda I took a picture of it next to a quarter, which it was nearly as long as and shaped like a miniature golf tee.
Pics or it didn’t happen!
Charging the dead battery on my camera right now. Hopefully it’s still on there, because I can’t find it on my computer.
Ill admit the premise initially had me skeptical but this is a fantastic episode! I agree this wonderfully showcased why we love each character and yes it was weird and new but it was awesome weird and new!
sounds like Fiona Apple did the end credit song.This is apparently her confirmation of sorts:
I was wondering if it might be her. I’m not terribly familiar with her music, but it was so clearly different from their normal closers that it seemed likely.
Shouldn’t that be Fiona Applpesauce?
That’s her saucy aunt, mm-hmm.
There’s also this from Loren Bouchard’s twitter:
We figured it was her, but unlike Cindy Lauper, they didn’t give the closing song any credit. Glad to see it confirmed.
Cyndi Lauper.And yes, that was amazing to hear Fiona Apple in the end credits.
Apparently that was Fiona Apple in the end credits.Her confirmation of sorts:
It took me an annoyingly long time to realise Paul Rust was the voice of the feral pig.
I thought it was Bobby Tisdale until the credits rolled.
“Tina’s pig is scaring our pig that’s trying to rest!”
Some of the pig stuff actually felt unsettling now and then without compromising the humor, so props to that. I know it’s old hat to mention by now, but I do want to say how far the animation has come on this show. The organs flooding out, the pig pressing against the wall, Louise’s 9 back arms, this had a lot of really cool little bits of animation that easily could have looked awkward or stilted but instead flowed and moved really well.
The manifestation of Louise’s extra arms was… ::kisses fingers:: magnifique. Reminded me of watching Thai dancers.
Anyone else spot the melted Kuchi Kopi in Tina’s room? That’s some serious continuity callback!
This show is great with continuity.
*Louise’s
I certainly did! It was also well integrated into a scene where Louise’s love of Japanese culture and mythology was on display.
Just want to say I was just in Germany and caught a dubbed episode of Bob’s Burgers. The voice actors doing H. Jon Benjamin and Kristen Schaal were. . . amazing.
OMG I just discovered German-dubbed Bob’s Burgers clips there are on YouTube. Somehow even “Family Fracas” is awesome in German. Mein Tag ist gerettet.
That’s tremendous. But hearing “J-Ju” in a German accent is a tad unnerving.
That almost sounds like it could be Kristen Schaal speaking German.
Bob’s Burgers constantly gets better…. How many shows can claim that?And now they’ve create a comedy niche—the dream talking dead animal. First with that cow that dropped dead outside the store, then Topsy, the Edison elephant, and now the fetal pig—too gross, too funny.
“I heard skeletons are inside all of our bodies every day”
Jocelyn is great.
One thing that really struck me about this ep was how much the finger-pricking was in character for Tina and Louise. Louise can’t admit she’s squicked, Tina just goes and does the deed.Also I just realized Tina and Louise == Tina Louise who played Ginger on “Gilligan’s Island”.
Alasdair,It’s spelt (and pronounced) “nautical.”
Gene definitely has a thing for dressing up as 90s female singers. Louise likes pun costumes. It is interesting to see how they have moved Tina away from being an active Trick-or-Treater and more interested in hanging out with her peers on Halloween. Weird how you can have growth in a cartoon even with the timeline being frozen. And, when we thought back on it, it is interesting how the Halloween shows have tended to center on Tina more than any of the other kids (especially Louise), although I think, as Alasdair said, a lot of that has to do with Tina being on the edge between believing in the supernatural and going for rational answers.
“It’s so big and waxy, I’m gonna keep it!” – Linda, showing why Gene wasn’t hesitant to eat the other wax ball later on.
“Aw honey we’ll be dead, but we can laugh at them from heaven.” “I look forward to it!”
I’ll admit I got squeamish during the organ flood but once again, another fun Halloween episode.
“I look forward to it!” is such a Bob line.
Maybe my hearing needs to be checked, but Tammy and Jocelyn’s voices sounded a bit different at first. Come to think of it, so did Ms. Jacobson.
It sounded like all the voice actors had head colds when they recorded this episode.
perhaps you have some wax in your ears? hold your nose and gargle.
I definitely noticed it with Ms. Jacobson. In past episodes Melissa Bardin Galsky seemingly has used a deeper register when voicing her (I didn’t even realize that it was her for awhile)—similar to how she voiced Becky, the Devil’s assistant, on Lucy, Daughter of the Devil. In this episode Ms. Jacobson sounded closer to how Galsky voiced Lucy, herself—with a higher register (though not as high as when she voiced Melissa in Home Movies). From the interviews that I’ve seen Galsky give I think that the way that she voiced Ms. Jacobson in this episode is close to how she herself normally speaks, so maybe she’ll be sticking with it going forward:
Count me among those actually kind of creeped out by the pig, both visually and just by the conceit (admittedly not uncommon in scary stories) of terrifying consequences for a seemingly minor vice.
the best Bob’s Burgers episodes from every single season are always:1. Halloween2. Christmas3. Thanksgiving the Christmas and Thanksgiving episodes tend to trade places depending on which season we’re talking about, but truly, no other show does holiday eps that i wait patiently for all year quite like the Bob’s Burger team.
The Valentine’s Day episodes are also pretty great.
I love a soft-Halloween story. Nothing too overly creepy, but just an ongoing buildup of plastic skeletons, corpses, dream creatures, spectres, and just slight jumps of exploding intestines. Fiona’s song was amazing. Though how does Gene even know about Fiona?
Why isn’t this filed to Bobs Burgers? I had assumed you just didn’t do a review for this episode before stumbling across this link.
Dear Santa, I have been very good this year. Please bring me a gif of Skeleton Tina popping up and playing the banjo.
HO HO HO. Santa went through all this trouble because I love you.
Thank you, Santa! <3
Mr Ambrose’s personal life (and history of Japanese demonic hauntings) continues to intrigue.