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Some old friends (and Kate Berlant) can’t liven up a dull Archer

John Early, Kate Berlant, and Christian Slater co-star in a lackluster penultimate installment of Archer's 13th season

TV Reviews Kate Berlant
Some old friends (and Kate Berlant) can’t liven up a dull Archer
Archer Image: FXX

Given its baby-sized eight episode run—and the show’s long-fluctuating interest in serialization—it’s not surprising that Archer’s 13th season has had only two big running stories. The macro, of course, has been all the bullshit missions and manipulations that IIA and pompous boss Fabian Kingsworth have sent The Agency on, which hit a climax point last week with the reveal that Fabian had, of course, been playing our heroes as saps. The other has been Lana’s custody battle with her ex-husband Robert over who gets her (and, technically, Archer’s) daughter A.J. in the divorce that was set up in last year’s finale. “Distraction Action,” tonight’s penultimate episode of the season, largely ditches that former story to focus on the latter—and ends up kind of feeling like a collection of those same loose ends that Archer spends the whole episode yelling at his underlings not to get bogged down in.

We open with everyone going full-on stir crazy, with the crew in lockdown due to the whole “being (sort of) framed for destabilizing a once-peaceful regime” thing. Sadly, Pam’s laugh track shenanigans can’t distract Lana from the fact that she’s about to miss the final hearing for A.J.’s custody—and, presumably, lose her daughter in the process—because all the various espionage and law enforcement groups hoping to capture the team will be watching it like hawks. (Or, y’know: Hiring John Early and Kate Berlant to half-assedly observe it. More on that in a minute.) And so Archer (who’s still in the “time to step up” part of his season-long arc of whether or not he gives a shit) initiates a plan to distract the authorities, so that Lana can be there for her daughter.

One of the issues with “Distraction Action,” though, is that it can’t ever really settle on who our main character is supposed to be. Is it Lana, arguably at the center of the whole conflict—but who mostly spends her scant screen-time tonight making an ass of herself in front of the judge? Is it Archer, who leverages his contacts with his old sex worker pal Trinette to get some dirt on Robert in a show of shady but sweet support? Or is it, weirdly, Cyril, who gets a whole let’s-call-it-a-B-plot about whether he’s interesting enough to serve as a distraction for anyone, and ultimately gets to give the big episode-ending pep talk? Everybody splits focus, not in an “ensemble comedy” sort of way, but in more of a comedic tug-of-war.

That divided attention isn’t helped by all the focus the episode puts on Berlant and Early’s dopey FBI agents, the subjects of the various distractions. Kate Berlant and John Early are very funny people, obviously, but these two characters…kind of aren’t. Especially since, outside that ending action scene, the characters seem to be trapped in their own little “two cops quip in a car” sitcom, not interacting with our main crew in any meaningful way. Archer is perfectly capable of pumping out a couple of good one-shot, single episode characters for guest stars to inhabit, but they’re going to be a lot more successful when they’re bouncing off of the comedic energy of Archer and his pals. (See, for instance, security guard Susie last week.) Seeing how people respond to Sterling Archer’s rampant stupidity—and he to theirs—is one of the central pleasures of this show. As is, a decent chunk of tonight’s action just felt like a stealth pilot for FBI Dumbos: The Series.

As to the actual distractions, they’re all pretty boilerplate Archer stuff at this point: Pam does some kickass motorcycle stunts, Carol/Cheryl blows stuff up, Krieger’s got a new airbrushed van, and Cyril rollerblades (and, when that needs some supplementing, pulls out his infamously large penis as a back-up distraction; between that and Trinette showing up, there are a lot of early Archer callbacks tonight, actually).

Back at the custody hearing, Lana makes the novel suggestion of just asking A.J. who she’d rather live with, which resolves things with a quickness in her mother’s favor. (Meanwhile, I’m genuinely not sure if Robert’s lying or not about orchestrating the whole ordeal as some sort of bizarre motherhood mindgame; although Stephen Tobolowsky’s always great, the character has been written at pretty much every point on the spectrum between “well-meaning saint” and “racist deviant” at this point, so it’s hard to tell if he’s sincere or saving face.) If nothing else, these scenes serve as a reminder that A.J. (still voiced by Kimberly Woods) is a surprisingly good addition to the crew. Archer tends to work well with just a twinge of sweetness in the mix, and the kid’s combination of smartass and genuine affection works better than you might think amidst all the dick jokes and flying bullets.

In the end—and after briefly reminding themselves that they probably shouldn’t murder a bunch of FBI agents just because they’re in hot pursuit—the crew make their escape to Carol/Cheryl’s private plane. At which point that other plot thread from the start of this recap rears its aging-quite-handsomely head, in the form of CIA agent Slater. (You remember Slater: He was the guy who spent all of season 6 yelling at everybody for being morons.) (And also being Christian Slater.) It turns out that Fabian is hiding out in Manatina, the country whose leader he tricked the Agency into getting him blackmail material for last episode, and Slater wants him taken down. Also, Ray is there, suggesting that he’s turned traitor (or CIA informant, if the mention of an info source nicknamed “LEGS” in Slater’s dossier is anything to go off of.) And so, after an episode of loose ends, we’re finally ready for the finale: A classic Archer field trip episode, where our heroes will definitely, sort of, kind of fix all the things they’ve broken over the course of this year’s adventures—and hopefully have more fun than this episode was in the process.

Stray observations

  • I didn’t talk much about the “sitcom sound effects” cold open because, well…it wasn’t very funny. (I do approve of Carol/Cheryl getting the Kramer applause, though.)
  • Lana: “Pam, I get that you are incapable of living without extreme over-stimulation and/or violence, but we have bigger problems.”
    “What, where? I’ll kill ‘em!”
  • Iron Spaiden gardening vs. Wed Zeppelin: You be the judge!
  • Oh, hey, is that motorcycle slide that Pam pulls off a reference to Nope?
  • Trinette, talking up the small business/brothel she paid for with Archer’s child support payments: “Shit yeah, we got real classy cooze here!” (Not to brag, but this is the first time in my life I’ve ever had to spell out that particular word; many thanks to Oxford Languages for the assist!)
  • In my screener, Robert wasn’t actually wearing a bow-tie when Lana called him “a bow-tied ballbag.” A horrifying continuity error, to be sure.
  • You know I’m struggling to say anything really interesting about an episode when I leave a troll like that Nope/Akira joke up above there in my draft.
  • Okay, Krieger’s crappy hovercraft van was pretty cute.
  • Whoo, civil forfeiture comedy!
  • Cyril, triumphant: “Consider my panties unkinked!”
    “Was that in reference to something?”
    “Oh, that wasn’t you guys. Nevermind.”
  • Cyril’s ready to start dating again. Watch out, ladies!
  • Not a lot of references tonight, although the newscast at the beginning does suggest that Baby Lamont from “Cold Fusion”/Frisky Dingo has come to an unfortunate end.
  • Line of the episode: Not exactly spoiled for choice here, but I have to go with the matter-of-fact judge. “Kid goes to mom. Honestly, she’s screwed either way.”

25 Comments

  • apostkinjapocalypticwasteland-av says:

    Baby Lamont did not come to a very good end in Frisky Dingo either. 

  • suckabee-av says:

    Oh, hey, is that motorcycle slide that Pam pulls off a reference to Nope?

    I can’t tell if this is sarcasm or you honestly didn’t encounter the Akira Slide before Nope.

  • maulkeating-av says:

    Look, I want to get into New Archer, but by christ I cannot get past their new boss, or the dull writing, or the fact that everyone seems to be recording voice lines on their phone.

  • leobot-av says:

    This new season has been fine. I think considering they lost a key player (RIP), some growing pains were inevitable. I guess Judy Greer might also have been busy with her new show, and Adam Reed also had his stepping-away thing.It does seem like maybe the writers room could use a little shakeup. Cast aside, the jokes aren’t nearly as rapid-fire, and I’d have to go back and rewatch the latest episodes, but I don’t recall them being nearly as smart or self-referential. The ideas have been funnier than the execution of them.Having said that, I have enjoyed Pam’s apartment and when Cheryl shows up to blow stuff up.

    • maulkeating-av says:

      I’ve said it before, but what they’ve got now seems to a bunch of roving freelance comedy writers who’ve just come with a portfolio of generic sitcom jokes. You need Adam Reed writin’ for the real wit.

      • disqusdrew-av says:

        Yep. A lot of the newer episodes feel like they were written by a person that watched half of one episode of Archer to get a gist of the characters and then banged out a script.

        • maulkeating-av says:

          Hughes name-dropped the writer of one of the episodes, Brittany Miller, and here career basically consists of being a coffee-fetcher on a B-grade comedians vanity sitcom (you know, “The Show” type shows) in 2017, some work on Woke, and then these eps of archer.(I don’t know why he felt the need to name-drop her.)It’s really missing the joy of the zingy, sizzling repartee of the early seasons, the misdirection, the segues, the wordplay. Mallory: “Do you expect me to believe YOU’RE a descendant of Cornelius Tunt?!”Cheryl: “Yeaaah, or…whatever, five…Cornelii.”Mallory: “And George Washington Tunt, of the-”
          Cheryl: “The Tuntmore House – yes! I spent like ever summer there listening to my creepy great-grandmother bitch about Abraham Lincoln!” *beat* “Apparently, slavery was pretty awesome.”Mallory: “Prove it.”Archer: “What’s to prove? It’s free labour.”Now the jokes are clearly left to hang, as if expecting a laugh track.

    • luasdublin-av says:

      Aha , Reboot is the reason Cheryl was missing.

  • alphablu-av says:

    Are we really going to go a whole season without Barry?

  • urk26-av says:

    And the motorcycle slide in Nope is a reference to Akira

  • loj1987-av says:

    Archer tends to work well with just a twinge of sweetness in the mix, and the kid’s combination of smartass and genuine affection works better than you might think amidst all the dick jokes and flying bullets.I do appreciate those twinges. One of my favourite lines/exchanges of the episode:

    “Who are you again?”“I… know you’re joking, but that was ab-solutely devastating… nice work”

    also, unrelated, just made me laugh:

    Cyril: “Have you done anything useful today?!”

    Archer: “Yes, I’ve made you angry, thereby taking years off your life. That’s good for the world!”

  • luasdublin-av says:

    Kreiger being a man of culture is a fan of Iron Maidens early 90s album Fear of The Dark. 

  • splufay-av says:

    I’ll probably wait until the season is over so I can just binge the episodes in one afternoon. I made it halfway through the third week and didn’t finish the episode.

    The VAs are still at the top of their game, but the show is spinning its wheels. Say what you will about the coma seasons, but at least they’re memorable. These past few seasons have blended together into mush.

    You don’t have to lean into heavy serialized stuff to keep things interesting, but if you’re going to keep trying to do these one-off adventures you have to at least make them… funny? For how little dead air there is in these episodes, it’s insane how few jokes actually land.

  • abolishgod-av says:

    I want to deliven down god.

  • asenseofreason-av says:

    How did you fail to mention AJ wearing a tactical turtleneck to the court proceedings – that was the most Archer’s daughter reference of all time!

  • chairthrower01-av says:

    “Cooze” was also spelled correctly in the closed captioning.

  • soylent-gr33n-av says:

    Also, Ray is there, suggesting that he’s turned traitor (or CIA informant, if the mention of an info source nicknamed “LEGS” in Slater’s dossier is anything to go off of.)A hint applied with all the subtlety of a sledgehammer to the face.Not a great episode, but I’m glad Slater’s back. He’s one of the few characters who can really push back on Archer’s assholery.

  • fanburner-av says:

    Say what you will, I am here for Judge and Mr. Frankenstein.

  • katanahottinroof-av says:

    I liked the two dumb FBI agents, but, yes, the writing overall is not as good.  I wish that the writing for Cyril were better, as I cannot recall the last time that he was anything except the butt of something mean.  I have no interest in a Frank Burns character who never wins and has nothing redeeming going for him.  Well, the one thing, which he apparently has not used in years.

  • dresstokilt-av says:

    I’m still baffled over the whole concept of Robert even having standing to sue for custody. Did he legally adopt AJ and I forgot?

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