Bill Hader proves he's the best podcast guest ever on Mike Birbiglia's Working It Out

Plus, Whitney Cummings goes for broke with a four-hour episode of Good For You

Aux Features Mike Birbiglia
Bill Hader proves he's the best podcast guest ever on Mike Birbiglia's Working It Out
Screenshot: Apple Podcasts

Blindspot: Tulsa Burning
The Rise of Greenwood

James Baldwin famously wrote, “Not everything that is faced can be changed, but nothing can change until it is faced.” Blindspot: Tulsa Burning, produced by WNYC and The History Channel, provides a valuable opportunity to look back in order to look forward. The series illuminates everything you might not have been taught in history class about the resettlement of Tulsa, Oklahoma, and the revolutionary Black community of Greenwood, known as Black Wall Street. This episode explores the events that led to the eventual leveling of the town by white supremacists. As presented, the destruction of the town wasn’t just a moment, but a long game, likened to chess, as land that had been written off was suddenly found to be rich in oil. If you, too, had a dubious one-page history book description of the Trail of Tears, or maybe didn’t know that Tulsa was a contender against Middle Eastern oil, or perhaps wonder why Black descendants didn’t pass down knowledge of these events, this episode is going to have you like “WTF, I know nothing.” [Morgan McNaught]


Good For You
Mark Normand & Yannis Pappas

Whitney Cummings has been holding lengthy convos with many of her comedian pals on her podcast for over a year and a half now, with most episodes running almost three hours long. But she went the distance for this ep, which clocks in at four hours and 19 minutes. Cummings starts the show getting to know Mark Normand, who has already mastered the fine art of serving up smart-assed quips. But when cantankerous Todd Glass soundalike Yannis Pappas shows up at the 42-minute mark, that’s when the show becomes a marathon ball-busting and tea-spilling session. (That last part is both figurative and literal; Cummings pulls out spiked kombucha for her and the boys after the first 90 minutes.) These three do spend most of the episode intensely discussing the current state of stand-up, particularly on what comics can and can’t say on the mic now. Cummings even runs down a long list of terms and sayings people might take umbrage with due to their offensive origins. [Craig D. Lindsey]


Mike Birbiglia’s Working It Out
Bill Hader: This Episode Has It All

One of the pleasures of Mike Birbiglia’s Working It Out has always been how the comic manages to get his guests to reflect back on the process of creating their art, revealing the often messy strategies required to come up with good material in ways that showcase the vulnerable side of comedians and actors. These conversations hit a high point with latest guest Bill Hader, who happily discusses the ways his own creative weak points have led him to continually search out new ways to evolve and learn as both a writer and performer (to say nothing of his work behind the camera, as well), such as the fact that he took the job as a writer on South Park because he realized he simply didn’t know how to deliver a good script. Add to those kinds of open-hearted confessions the incredible gift for delightful anecdotes and funny asides that Hader possesses (he cracks up recalling a particularly good burn Birbiglia once delivered to a tardy Pete Holmes), and you’ve got the Platonic ideal of a how-the-sausage-gets-made comedy podcast. [Alex McLevy]


Telling Our Twisted Histories
SCHOOL

The word “school” has many meanings, but for generations of Indigenous people, school meant the deliberate destruction of their culture. Telling Our Twisted Histories is a CBC podcast hosted by Kaniehtiio Horn (Letterkenny) that explores the words and concepts used by the western world to colonize Indigenous minds. This episode examines the legacy of Canada’s Indian Residential Schools whose stated goal was to “kill the Indian in the child.” These schools would forcibly remove children from their tribes, forbid them from speaking their own languages, and actively cut the thread between them and their heritage. The last of these schools closed in 1996 and through interviews with many First Nation, Inuit, and Métis survivors of this system, a damning and complex picture is formed. What stands out is the survivors’ descriptions of their parents’ conflicted feelings on these schools. Parents knew their children were being assimilated away from their family teachings and beliefs, but they also recognized that without an education they would have no future. Those interviewed reflect that the promise of a future is not worth the loss of the past. It’s a sobering look at a shameful history whose crimes are still being unearthed. [Anthony D Herrera]

16 Comments

  • hiemoth-av says:

    This is most about personal lamentation of podcasts, but I’ve been trying to get myself to listen to Unspooled again. I had a ton fun listening to the first season, but the second season I kind of found my interest dropping off pretty fast. And now I’m constantly if they found that groove once I stopped listening, requiring me to go back.Thinking on it, I think the issue, and this isn’t a negative on the show, is that it felt Paul and Amy were so fawning of every movie they watched. Now I get that it is the point of the season that they watch those kinds of movies, but never feels like there is genuine, disagreement or debate on movies, at least when I still listened. I’m not arguing to dislike the movies, but rather that during the first season those different perspectives added so much more and also made the movies they both praised feel that much more powerful when compared to those they didn’t feel succeeded on that level.

    • mullets4ever-av says:

      i really couldn’t understand why they really did this in the first place. Paul clearly wants to be the funny guy/researcher to Amy’s ‘serious critic’ but Amy doesn’t seem to want to be the serious critic for the project. so you end up with episodes where Amy decides she didn’t like a movie because the director was some legendary jerk and therefore doesn’t really want to dig into the movie itself and paul is just flailing because he didn’t prepare his own criticism

    • drorpheus-av says:

      Listen to the recent eps on Galaxy Quest and Contact – even when they aren’t super far apart on a movie some good debates break out!

    • bonerland-av says:

      I was happy listening to them describe why they liked old movies that I really didn’t think aged well. I do not want to listen to Amy pretentiously criticize more contemporary movies I like. 

  • dirtside-av says:

    Hey, are you guys ever going to fix comment notification links, so that we can actually find replies in the comment threads?

    • alexmclevy-av says:

      Honestly, dirtside, the more people complain (ahem, complaints can be directed to [email protected]), the more attention is paid.

      • dirtside-av says:

        Will do!

      • fakephillycheesesteak-av says:

        Blindspot: Tulsa Burning
        The Rise of GreenwoodJames Baldwin famously wrote, “Not everything that is faced can be changed, but nothing can change until it is faced.”

      • cinecraf-av says:

        They’ll get around to it one of these days. I mean it’s only a major part of the functionality of their already piece of shit platform.

      • harrydeanlearner-av says:

        Can you advise as to if there is ever a lift from the “Grays” or if I should give up on a site I’ve been reading since 2005 or so?

      • kinjabitch69-av says:

        Call me cray cray but…this doesn’t seem like something where more attention needs to be paid? The site is broken. They don’t know that by now? More complaints need to be made before something is done?My office is the same way. I know the answers to my questions. I’ll shut up now.

  • gargsy-av says:

    It’s too bad Mike Birbiglia is such a black hole of anything interesting or funny whatsoever.

  • noonecaresdude2-av says:

    Sooooo brave and unheard etc. 

  • tedturneroverdrive-av says:

    They should have had a Blindspot / Working it Out crossover. Growing up well-off in Tulsa (he went to a private high school), what did Bill Hader learn about the 1921 massacre?

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