New expensive version of “Blowin’ In The Wind” sells for $1.7 million at auction
This isn’t just a new version of “Blowin’ In The Wind.” It’s a version of “Blowin’ In The Wind” worth nearly $2 million
Aux News Martin Shkreli
The Jokerman himself, Bob Dylan is up to his rascally old tricks again. The 81-year-old legend, the writer of such tracks as “It Ain’t Me Babe,” “Mr. Tambourine Man,” and “Here Comes Santa,” who recently sold his entire music catalog for $300 million, just picked up another million at auction, off-loading a one-of-a-kind new version of “Blowin’ In The Wind.”
Pitched as a “full rebellion against mass consumerism” by legendary producer T-Bone Burnett, who orchestrated the coup, the newly recorded version of Bob Dylan singing “Blowin’ In The Wind” sold at Christie’s in London today for 1.4 million pounds or $1.7 million. The winner of the auction, whose name has not been revealed (though we’ll just go ahead and assume it was Martin Shkreli), received a one-of-a-kind version of the song pressed onto a state-of-the-art acetate disc called Ionic Original.
Said to be nearly impervious to wear-and-tear, the Ionic Original also boasts “higher fidelity” than other formats, which, for nearly $2 million, it fuckin’ better. Thankfully, the winner won’t need to buy a new record player to spin it. Any old hunk of junk you pick up from Urban Outfitters will do. Might we suggest one of those turntables that also looks like an old-timey radio?
Now for the brutal part. Despite this being a new version of a classic Dylan song, which T-Bone Burnett called “the best record I’ve ever heard in my life,” us penniless peons will never get to hear it. You see, this was all in an effort to show NFTs what actual scarcity is. “An Ionic Original is not a ‘copy,’” Burnett said. “It is an original recording. We are not contriving scarcity. This is actually scarce. It is a unique, handmade, original recording.” This isn’t just downloading JPEGs of ugly monkeys and calling it art. It’s a singular work by a singular artist that we’ll never get to give a C+ to, and that really grinds our gears.
We’ll just have to take T-Bone’s word for it that “Bob sounds good. The band sounds good. The song’s great.” Unfortunately, he insists that we shouldn’t worry about hearing it “because there are thousands of Dylan recordings [we] can hear for free.” As he told Variety, “I can tell you, though, when Cézanne was in Aix-en-Provence painting a landscape, he wasn’t thinking, ‘Oh, man, I hope everybody gets to see this!’ or ‘How is everybody gonna get to see this?’ He was just thinking, ‘How do I get this down? How do I get this on this thing?’” Funny.
He continued:
Because we work in an age of mechanical reproduction, musicians have had to accept the definition of the value of their music from the government, from corporations, from technologists, from record companies, from streamers. Well, in this case, we have taken matters into our own hands, and we control the means of production and we control the copyright. We’ll be able to explore: What is the value of a song? What is the true value of Bob Dylan singing ‘Blowin’ in the Wind’ 60 years after he wrote it, in this environment? And we’re gonna find out.
It’s worth $1.7 million, and we’ll never get to hear it. Enjoy your money, T-Bone!
13 Comments
“We are not contriving scarcity” says the producer who went out of his way to have only one copy made.“We’ll be able to explore: What is the value of a song?” he says as he auctions a Veblen trinket to some rich asshole.Apparently “full rebellion against mass consumerism” means ostentatiously creating things exclusively for the ultra-rich.What a wanker.
It’s all very ironic, since “the age of mechanical reproduction” is precisely what gave people like Bob Dylan and T-Bone Burnett the notoriety and cachet to pull a stunt like this. Selling the right to “mechanically reproduce” his songs literally just made Bob Dylan a quarter of a billion dollars. There are many, many musicians who sell their work directly to the public, but most of them have day-jobs because they can’t sell their work at Christie’s and don’t have the financial buffer of mass-market residuals.
“Bob sounds good. The band sounds good. The song’s great.”It’s funny that among all the bullshit Burnett is spouting about this, he still can’t rate Bob/the band’s performance of this “great” song higher than “good”.
The great thing about “Blowin’ in the Wind” is that Dylan always plays it the way he did in the 1960s. He’s famous for never, ever rearranging the song or intentionally playing it out of key. So it’s not like somebody could shell out $2,000,000 for a 25-minute rendition where the first half sound like Nitty Gritty Dirt Band, then there’s a guitar solo that’s just the same three-note lick for eight bars, and then a twelve-minute outro where the band vamps and Bob shouts “Blowin’ in the wind!” hundreds of times.
Oddly enough, they didn’t cover that on their new Dylan cover CD. But it’s out now and supported by a tour!
Didn’t know that about Blowin’ in the Wind. In an interview I read with Mike Campbell when TP and the Heartbreakers were on tour with Bob he’d just call out a song and key and start playing.
Considering how he’s sounded for some 20 years now, I suspect even “good” may have been forced out between gritted teeth.
Not everybody will get to hear it. In fact, only a few people will get to hear it. So don’t stir the crowd by saying it’s the best version anyone has ever heard. Then you’re definitely an asshole.
Jeeeeezus, say it ain’t so T Bone.That’s gotta be one of the douchiest fucking soliloquies I’ve ever heard in my life.I’ll never look at him the same way again.
Utter fucking nonsense.
I think T Bone Burnett did not save enough money for retirement or something. Good thing there’s famous friends and deep pocket dummies to fall back on.
Eh, it’s been done before. Jean-Michel Jarre released an album called “Musique Pour Supermarche” in 1983, one pressing only, master tape and stampers destroyed immediately afterwards.
Its already been leaked online