Bruce Boxleitner is also done with Tron

Aux Features Film

In a new interview with /Film, Bruce Boxleitner has made it clear that he no longer cares if the Tron franchise moves forward again. “I’m done with it. I’ve moved on,” Boxleitner said. “I hate to say that but it’s been too up and down for me. I would rather not just keep going.” The actor made the comments while promoting his Hallmark Channel series Cedar Cove.

Boxleitner has been an integral part of the franchise since playing Alan Bradley and the eponymous security program in the original Tron, and has long been supportive of the project as a cast member and a fan. (He’s clearly earnest about the importance of the franchise and its fans while giving an interview on the set of Tron: Legacy.)

In recent years, Boxleitner said there was no indication that the project wasn’t moving forward. “There’s several publications and blogs that are about what jobs are coming, what films are in pre-production, stuff like that. Tron was always on those lists. They were very close to actually shooting,” Boxleitner said. His confusion is understandable. We previously reported that Disney had Tron 3 production planned for November, only to report a couple of months later that Disney had abandoned the project.

And now Boxleitner has grown tired of fighting for the user, and sounds a little bit used himself. While speculating that the success of live-action remakes of animated classics—along with responsibilities to generate Star Wars and Marvel profits—simply took precedence at Disney, he admits to not being privy to the real decisions. “I don’t pretend to know any of the reasons why,” Boxleitner said. “Some of the bogus reasons I couldn’t believe. What did George Clooney’s [Tomorrowland] have to do with any of it? That was blamed for it. I just think Maleficent and all those other movies did so well for them, they’re going to go onto that. For me, I think it’s time to move on.”

This should all be taken in context, however. When talking about Disney, or Hollywood in general, absence makes the heart grow fonder for remakes, reboots, sequels, prequels, and side-quels. It’s only a matter of time before some mouse-eared accountant happens upon the dusty, tarp-strewn aisles of a defunct Flynn’s Arcade, and remarks that monetizing Tron nostalgia could really help invigorate Disney’s share price. But according to Boxleitner, when that day comes, he’ll be busy working on something else.

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