Daniel Day-Lewis and Paul Thomas Anderson are a match made in obsessive heaven
On the third episode in our series, we talk There Will Be Blood and Phantom Thread
Film Features Paul Thomas Anderson
What happens when the reigning Method actor of our time joins forces with one of America’s most celebrated filmmakers? On the third installment in our four-part series on the films of Paul Thomas Anderson, critics A.A. Dowd and Katie Rife discuss the two towering collaborations between Anderson and three-time Oscar winner Daniel Day-Lewis: the oil-man epic There Will Be Blood and the fashion-world romance Phantom Thread.
You can hear the entire conversation in the episode above, or read a lightly edited excerpt down below.
Katie Rife: Here’s my question. What happened in Paul Thomas Anderson’s life between 2001 and 2007? Because, the style of his filmmaking changed, the tone of it changed. Just so much changed during that time. And what came out the other end is this really kind of nihilistic movie.
A.A. Dowd: Yeah. Five years separate Punch-Drunk Love and There Will Be Blood. Last week we discussed Punch-Drunk Love as kind of a transitional movie. It felt like the end of whatever you could call his style in those first three movies, and maybe the beginning of something else. But There Will Be Blood does not feel in many ways, like an extension of Punch-Drunk Love. In retrospect, that movie kind of feels a bit like an outlier.
Katie Rife: It does. It really does. Because, you know, like it’s less melodramatic than Magnolia. But in terms of being heavy in content, you know, they’re definitely more similar than the kind of like quirky, sweet Punch-Drunk Love, for sure.
…
A.A. Dowd: In previous episodes, we talked about how heavily Paul Thomas Anderson is influenced by [Martin] Scorsese, how heavily he’s influenced by Robert Altman. Those are those are two filmmakers who he’s very heavily indebted to. I think that the influence is shift a little bit in [There Will Be Blood].
Katie Rife: Yeah, the camera is much less mobile, and a lot of the dialogue scenes are shot in close up. There’s a lot of static close up.
A.A. Dowd: Which I think is that that Jonathan Demme influence that I think remains an aspect of his filmmaking. I see a lot of Kubrick in this film.
Katie Rife: Yeah, it’s still in the same way that Kubrick is still in certain shots. They just kind of breathe.
A.A. Dowd: Even the way that he fades in with the music [in the opening sequence] is a dead ringer for 2001. We’re seeing this kind of primordial desert. You know, [Daniel Plainview’s] out there chipping away.
Katie Rife: I mean, it is the birth of something.
A.A. Dowd: Right, right, it’s the sort of the origin story of modern American capitalism.
Katie Rife: And California, too. [Anderson] remains loyal to California, even when he’s going into the past.
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13 Comments
As someone mixed on PTA, I was not expecting to enjoy Phantom Thread nearly as much as I did. I was expecting something self-serious like There Will Be Blood and didn’t realize how funny it would be.
I’m still behind on that one.TWBB, though? I rewatch that at least once a year.
There Will Be Blood is probably one of my top ten movies (maybe top 5) but really have to be in the mood for a re-watch. Not exactly light-hearted fare
One of my favorites, and one side of the coin that is America Represented in Movies (the other side is It’s a Wonderful Life).
True story: I first saw Phantom Thread at home while cooking a fancy dinner with a shit ton of mushrooms.
Is this the guy who makes those weird pastel colored comedies, or the guy who made all the Resident Evil movies?
Neither. He’s the guy who turned the reveal of Marky Mark’s (prosthetic) dick into something out of “Jaws.”NOTE: Kinda.
It’s the guy from “Life With Louie”.
No, no – that’s his uncle……Did I make you think for even one second that Louis Anderson might be PTA’s uncle? Good.
He’s the one with McDowell and all the rugby
Pretty sure he played that MacGyver guy.
No, he’s the guy who was abusive to Fiona Apple, and sounds like a fucking garbage human.
https://www.celebitchy.com/656387/fiona_apple_wants_to_put_an_end_to_the_paul_thomas_anderson_nostalgia_/
No discussion of “The Master” on the podcast? I’d figured you were going chronologically:Episode 1 – Hard Eight & Boogie NightsEpisode 2 – Magnolia and Punch-drunk LoveWouldn’t TWWB and The Master be next in line?