David Byrne's American Utopia is burning down the house in HBO special's new trailer

Aux Features Coming Distractions
David Byrne's American Utopia is burning down the house in HBO special's new trailer
Screenshot: HBO

We’re less than a month away from HBO’s premiere of David Byrne’s American Utopia, the Talking Heads alum’s Broadway show that’s here been translated to film with the help of Spike Lee. Described by our own A.A. Dowd as a “spiritual sequel” to Jonathan Demme’s Stop Making Sense, the concert film finds Byrne and an ensemble of 11 musicians, singers, and dancers cycling through a number of the songwriter’s hits in between anecdotes, asides, and interactions with the crowd. Per a synopsis, the show invites audiences “into a joyous dreamworld where human connection, self-evolution, and social justice are paramount.”

Our TIFF review of the film lauds its “celebratory, eccentric identity,” going on to call it “more relaxed, maybe more intimate and inviting [than Stop Making Sense].”

“His band, a multi-national 11-piece decked out in identical gray suits, works its way across the space with movements that somehow feel both spontaneous and synchronized,” it continues. “The stage is empty, save for a chain curtain along its edges; no equipment is visible, no instrument is wired. At a certain point, the bareness reveals itself as an expression of Byrne’s philosophy about the relationship between artist and audience: ‘Us and you, that’s what the show is,’ he says.”

Watch the latest trailer for the piece below:

David Byrne’s American Utopia premieres on HBO Max on Saturday, October 17.

34 Comments

  • killg0retr0ut-av says:

    I was lucky enough to see this live and it was absolutely amazing. And the Stop Making Sense CD was on repeat throughout my teens and 20s, before I ever even watched the movie, which also blew my mind repeatedly once I finally owned it. I can’t wait to to check this out!

  • bastardoftoledo-av says:

    I’m gonna have to steal someone’s HBO password. Side note: Byrne’s film True Stories is wonderful and weird. 

    • typingbob-av says:

      True Stories defined the way I viewed everything for about 6 confusing months:“This is the Vericorp building, just outside Virgil. It’s cool. It’s a multi-purpose shape: a box.”My girlfriend told me to mention Byrne’s fantastic book, How Music Works, which explains the myriad, seemingly irrelevant influences on why so many classics are what they are:https://www.google.com/search?q=david+byrne+how+music+works&rlz=1C1AVFC_enAU859AU859&oq=david+byrne+how+music+works&aqs=chrome..69i57j46j0l6.10497j0j7&sourceid=chrome&ie=UTF-8

      • bastardoftoledo-av says:

        That book is a fantastic reference here. It’s difficult if you don’t have a lot of musical background (at least according to some friends of mine) but it’s a wonderfully researched look into something most people just take for granted. Music. 

    • ebmocwenhsimah-av says:

      I second that – True Stories is fantastic. It’s wholesome, but a very odd kind of wholesome. There really is nothing else quite like it, and I love it.

      • bastardoftoledo-av says:

        There really is nothing else like it. I wish he made more films. My wife said it’s like a children’s film for adults. I guess I’d kind of agree. 

  • therealchrisward-av says:

    I saw this show in Canada and the crowd sat down the entire time and was very polite and even through the amazing avant garde opener Benjamin Clementine. I saw the show in St. Louis and the Bud Light swilling crowd was so disruptive during Benjamin Clementine he left after 3 songs, and they were sloshing beer around the opera house for Byrne. Both were amazing shows. But American audiences are big dumb assholes.

    • cybersybil5-av says:

      I too saw it in Canada and although the crowd was seated (unless specifically exhorted to stand by the performers), everyone had ear-to-ear grins on their faces the entire time and probably left a little smarter.

    • nilus-av says:

      I think there has to be a happy medium between beer sloshing and polite sitting.  It is a concert after all. 

    • liebkartoffel-av says:

      I saw it Minneapolis and the experience was…somewhere in between, as one might expect—standing audience, and some fairly polite, respectful of personal boundaries, dancing in place. Have to say I found Benjamin Clementine, um, very avant gardy. Mostly I remember him wandering around the stage for an excruciatingly long period of time with a boy-shaped mannequin and asking various audience members if the mannequin was their child. After a couple of minutes of that I started laughing and then felt bad for laughing and then wondered if that was the point actually and then I got bored.

    • nothem-av says:

      Yes, that’s how every concert in American is. Except it’s Miller Lite in Milwaukee, Coors Light in Denver, etc. . .

  • ourassisinthejackpot-av says:

    This looks insufferable.

    • callmeshoebox-av says:

      It’s a shame you’ll be forced to watch it much like you were forced to click on this article, watch the trailer and publish a comment. A damn shame. 

    • crunchy200-av says:

      I’m a huge Talking Heads fan, and I’m inclined to agree.It looks pretentious and silly.

  • david-g-av says:

    I detest his overgrown theatre kid backing band so much

  • memo2self-av says:

    Anybody know if this is going to be purchaseable / rentable on iTunes and/or Amazon when it premieres?  (NOT subscribing to HBO Anything!)

  • vaporware4u-av says:

Leave a Reply

Your email address will not be published. Required fields are marked *

Share Tweet Submit Pin