American Elections: Wicked Game
1796: The First Contest
The political discourse in the United States is enough to make anyone yearn for the days when politics wasn’t so personal, when gossipy rumor mongering and baseless accusations weren’t part and parcel of the electoral process. But there’s one small problem with harkening back to these civil days of yore: They never really existed. To underscore this point, the Wondery network’s new history podcast is reexamining every presidential election in the nation’s history, one episode at a time. As it turns out, these country-wide popularity contests were always pretty vicious and were really more of a measure of who could dig up the most dirt on their opponent. But the nasty partisanship really got going in 1796 after the universally respected George Washington voluntarily opted out of a third term, ushering in the country’s first truly contested election, between John Adams and Thomas Jefferson. This was in a time when the very idea of campaigning for office would make the most liberal politician clutch their pearls, and yet these two men at the head of opposing political factions laid the groundwork for the shady political maneuvering we see today. [Dan Neilan]
Dolly Parton’s America
Sad Ass Songs
This new nine-part series goes big on Dolly Parton’s life with an emphasis on her unique status as a universally beloved icon. Fortunately, the angle is not belabored—Dolly on Dolly is fascinating enough without workshopping her into a talisman that unites a divided America. The opener transcends biography in favor of mapping her journey from walking boob joke to a symbol of empowerment. A possible hint can be found in her approachability: The reason this show exists is because she is nice enough to sit for interviews with the son of a doctor who treated her following a minor car accident. That this kind of personality resides within a criminally underrated songwriter who’s sassy enough to drop “tits” and “ass” in conversation (but still holds so much back) goes a long way in explaining the appeal. But perhaps not the entire way. For the rest, host Jad Abumrad (Radiolab) turns to conversations with authors who are prodded to reveal more about themselves than they bargained for, and whose connection to Dolly is so deep it seems she’s the one who knows them rather than the other way around. [Zach Brooke]
Moonface
Moaning
Moonface is James Kim’s response to the severe lack of complex, emotional stories about Asian Americans in traditional media, and it is sweet, heartbreaking, and intimate. Paul is a young Korean American working what feels like a dead-end job as a waiter and hiding his sexuality from his mother. When life begins to tumble forward, Paul begins learning Korean in order to come out to his mother, who doesn’t speak English, and navigates his way into his dream job in radio. His attempts to bridge the language gulf that was brought on by the desire to blend in with his dominant white surroundings are an agonizing process of coming to terms with his lost heritage. Moonface wraps discussions of racism into Paul’s exasperation with the explanatory comma and his childhood memories of kids teasing him about his mother’s food, elegantly dovetailing all the microaggressions that build up over the course of a life. [Elena Fernández Collins]
People’s Party With Talib Kweli
Robert Glasper Talks Kendrick Lamar, Hip-Hop Collabs, And Lauryn Hill
This Uproxx-produced podcast is just a few months old, but has already presented itself as the more dignified alternative to Drink Champs. Instead of clumsy clanging bottles and slurred interviews Noreaga pulls out of rap gods, People’s Party is a loungy experience, with hip-hop veteran Talib Kweli and his guest sipping on a cocktail and shooting the shit. (Chipper millennial co-host Jasmin Leigh is on the sidelines, occasionally chiming in.) Kweli gets some good gab from this ep’s guest, Grammy-winning, genre-bouncing jazzman Robert Glasper. He and Kweli go way back—at one point, they break into a playful argument about how Kweli jacked a song Glasper sent to him after Kweli’s memorably heated, televised debate with Don Lemon. Glasper talks about working with some of Kweli’s fellow Soulquarians (Erykah Badu, Common, Bilal) as well as straight-up legends (Herbie Hancock, Aretha Franklin). He also doubles down on his opinion of former employer Lauryn Hill and has some choice words for Branford Marsalis, who thinks Glasper has limited musical knowledge simply because he often mixes in hip-hop with his jazzy grooves. [Craig D. Lindsey]
PTSDiva
S Is For Suicide: Pt 1
It makes sense that Scott Thompson (The Kids In The Hall) would host a comedy podcast about pain and trauma. His résumé of traumatic experiences includes surviving cancer, witnessing a school shooting, having his house firebombed, and the suicide of his older brother in the ’90s. That last event is the focus of the latest episode of PTSDiva in which Andy Richter joins Thompson to discuss his outrageous and increasingly troubled appearances on Late Night With Conan O’Brien in the aftermath of that tragedy. His shocking interviews caused guests to walk out and tapings to be halted, and led directly to his firing from the NBC drama Providence. Thompson freely admits that he was so twisted up that his behavior was born out of his desire to end everything without actually killing himself. Most of the fun of this episode comes from Richter’s reactions to this trip down memory lane and his realization that he and Conan allowed a nervous breakdown to be nationally televised for years. Thompson has always found tragedy to be fertile ground for comedy, and with PTSDiva, he’s inviting listeners to join him in laughing at the horrors of life. [Anthony D Herrera]
Reset
Biohacking: Rules Of Engagement
Vox and Recode’s latest podcast series, Reset, kicked off this past week with a fiery story on biohacking, the loosely defined science of conducting experiments outside of traditional lab settings. There’s no better way to introduce the topic than by interviewing Josiah Zayner, the man best known for using CRISPR gene therapy on himself to increase his body’s muscle mass (which did not work) and for “transplanting” his entire microbiome by sterilizing his body and then popping pills full of a friend’s feces to introduce a new gut bacteria to relieve ulcers and irritable bowel syndrome (which did work, according to him). Hosted by journalist Arielle Duhaime-Ross, this first episode of Reset features a raw, mostly uncut interview with Zayner on the ethics of biohacking, such as whether he considers at-home experiments to be a moral issue, and if any valuable experiments can actually be conducted in an FDA-regulated laboratory setting. Later, Duhaime-Ross discusses legislation around biohacking, and how other biohackers are trying to enforce their own code of ethics at home. Biohacking is a (mostly) unregulated and illegal business, and Reset presents its ever-changing story. [Kevin Cortez]
She Makes Money Moves
You Lost Your Job. Now What?
She Makes Money Moves invites young women to start talking not just how much they make, but how it affects their personal lives. Host Samantha Barry, editor in chief of Glamour, interviews women from all walks of life about their financial lives, past and present. In episode five, Barry interviews mother, wife, and breadwinner Brandon, who details the chaos her life was thrown into when she and her husband both lost their jobs unexpectedly. She discusses how they were faced with dwindling savings, the choice to sell their home, and bills piling up around them. Brandon’s interview, like all the others in this series, is raw and unscripted, which leads to an unfiltered view of how stressful money can be. In the second half of the episode, Barry talks with financial expert Tiffany Aliche about what people can do when they find themselves without a job, what they can do to prepare just in case, and how to move forward in the midst of debt piling up. She Makes Money Moves raises the voices of women who are often left out of financial discussions, making this a refreshing advice podcast. [Nichole Williams]
23 Comments
Scott Thompson witnessed a school shooting? That’s news to me.
The 1975 Brampton Centennial Secondary School shooting.
https://en.m.wikipedia.org/wiki/Brampton_Centennial_Secondary_School_shooting
Thompson had a wonderful interview on Andy Richter’s podcast a few weeks back. The two men seem to have a genuine affection for each other after being friends for a few decades, and Andy as the father of a gay son, and son of a gay father, is maybe the best “straight” man to interview Scott.
We Hate Movies has been on a pretty good tear with their October-themed horror movies, but last week’s Human Centipede was an all-time classic.
That was their best episode since The Cat in the Hat (which I found out about here, and then went through most of their catalog). God, I haven’t laughed that hard at a pod in a long time although The Dollop’s episode on Soylent was pretty close.
I’ve never actually listed to a podcast beyond a repeat of an NPR story linked from their website. In the beginning, I considered it something the Apple people were doing and now that you can get them from places other than just iTunes, it’s been kind of hard to separate the concept from all of the ze Frank imitators on the YouTube, my youngest will just indiscriminately let drone on via autoplay.That could seriously change with Scott Thompson. His involvement may be enough to get me to find time to listen to a show. While it was much less of a time commitment, back in the day, I subscribed to his blogspots, including “Fruit Blog” which came after “ewe” hosted by Mr. Buddy Cole.
I understand your hesitation. I gave podcasts a pass until about three years ago for similar reasons until I had an overnight road trip I needed to take to get to a funeral and wanted something more engaging than just music to keep myself awake. I now am subscribed to close to 300 that I listen to on 3 times speed to keep up with them. I’m certainly not recommend you follow my lead there as I am obviously a nut job, but what I will say is that podcasts are a much more diverse medium than the elevator pitch would have you think. Essentially think of anything that could be done in audio only. I guarantee there is a podcast for that. Want twilight zone inspired comedy? Look up welcome to nightvale. Star trek more your thing? Wolf 359 is an amazing trekkian audio drama with some great twists. The No Sleep Podcast and Pseudopod both have legitimately unsettling horror. Homecoming is a spy piece with a rather Tom Clancy shadow government feel. Jay and Miles X-Plane the X-Men somehow makes hearing two people talk about the chronology of X titles legitimately fun. Podcastle runs really good fantasy. And that’s all without getting into the more well known talking head informative pieces that people think of in podcasts, many of which are much more interesting than I would have given them credit for a few years back. Obviously if you’re listening to anything claiming to be fact find out the biases of the hosts, as what you are listening to is essentially an audio based internet blog, but the format can be quite addictive if you find the podcasts that match your interests instead of just looking at the top 10 charts.
Podcasting is a pretty basic, but completely wide open format that has matured a lot in the past decade. It sounds like you’ve been operating on a very early first impression of the medium, as podcasts haven’t really been tied to Apple for about 12 years now, though iTunes is still a popular way to get them. If you’re a fan of Thompson, you’re in for a treat, as podcasting quickly became a natural fit for the alt-comedy crowd. So there’s about a decade’s worth of stuff from a ton of great comedians that Thompson has inspired or worked with in some capacity. And I definitely wouldn’t call them Ze Frank imitators since many of them were in the sketch, stand-up, or improv comedy worlds well before Ze Frank existed.
The Queen of Tennessee, that’s Dolly. It’s no surprise that she’s got the “final word” in this. The question is, who’s going to dare to come for her for her comments on feminism in this series?
I don’t ever regularly listen to country but I enjoy that video.
I grew up outside of Nashville, & when Reba starts singing in front of the Ryman, I start tearing up. I never even thought of myself as a country music fan in my youth (1970s/80s) but it permeated life there so much (think of Johnny Cash singing in commercials for the hospital that saved his life), there’s just a nostalgia bomb that goes off in that video by the second verse.
I just finished Country Music by Ken Burns on PBS which is the only reason why I knew most of these folks.
BTW, I HIGHLY recommend that documentary. You just have to be a fan of music to enjoy it.
Already did. Listen to the first episode–it’s in the second-ish half.
Eh, I think it’s totally understandable. When feminists became a household name it was middle class+ white women demanding respect from middle class+ white men. I’m paraphrasing but that’s what it appeared to be.Nowhere in there was support for the poor white trash, down on her luck woman who did whatever she had to, even if that meant subjugating herself to men. Those women always worked outside the home, because that was never not an option. Fighting for rights to work was an alien concept.She’s also 73, and the word “Feminist” has morphed over the last 20 years. She did say on the podcast she’s a feminist in practice but not definition. I bet if the podcast had bothered to ask her “What is your definition” it would be a lot different than what we think of now.
Some of us want this country to evolve and move forward and some want things to stay the same forever.
Edward J. Larson’s A Magnificent Catastrophe is a great book on the 1800 election.
no it’s not, the world belongs to all of us
I always start my day with a little Dolly…
Damn that reminds me, I just bought an album that had Dollys Mule Skinner Blues. Man she can hold a note.
It’s American sad ass song.also you can win. https://givewayforusa.blogspot.com
I do think it’s kind of curious that all of my 20something liberal arts educated, feminist lady friends (all from the north) have adopted Dolly Parton as a talisman. I mean, it’s easy to see how she made the jump to queer icon and then onto that set but there’s nothing especially feminist about her songs relative to her contemporaries like, say, Loretta Lynn. You could argue Jolene is completely antithetical to modern feminist concepts. But then you hear Dolly talk and it’s clear she is just the coolest, most intelligent person.
I mean, you have the kernel there in how cool and intelligent she comes across. I think she’s endured more than half a century off her charm and hard work, and remains cheery and unflappable in the face of a world that doesn’t take her seriously. She’s sometimes a punchline for her image, yet it seems like the number-one person she is setting out to please is herself. Not to mention her involvement in 9 to 5, a feminist ur-text. She’s just very proudly herself, smart, and not scared to dispense a little sass. I think that falls in line with the type of role model women relate to in 2019.