Summer 2022’s biggest winners and losers, from Stranger Things and Maverick to Morbius and Lightyear

It was a season of undeniable triumphs and puzzling failures across the entertainment landscape

Aux Features Maverick
Summer 2022’s biggest winners and losers, from Stranger Things and Maverick to Morbius and Lightyear
(From left) Stranger Things, Morbius, Prey, and Surface Photo: Courtesy of Netflix, Sony, Hulu, and Apple TV+

If Nathan Fielder’s The Rehearsal taught us anything this summer, it’s that obsessively rehearsing a scenario doesn’t guarantee everything will go according to plan. There are still opportunities to go off script. This happens with pop culture as a whole; a studio can do all the test screenings and focus groups it wants, but those methods can’t account for the unpredictability of the real world. Yes, Hulu might have been prepared for positive reactions to Prey, but who could have foreseen the praise lavished upon star Amber Midthunder? Sony might have braced for negative reactions to Morbius, but the studio definitely wasn’t ready for the deluge of memes at the film’s expense.

In selecting the entertainment winners and losers from the summer of 2022, we set ourselves one important ground rule: The project or subject must have had its big moment between May and August. So yes, we’re celebrating Kim Wexler now, even though she’s been gracing our TV screens since 2015, because Better Call Saul season six was truly her time to shine. Here’s everything we loved and everything that fell short this summer, with our picks alternating between good and bad.

previous arrowWinner: Top Gun: Maverick next arrow
Winner: Top Gun: Maverick
Tom Cruise in Photo Scott Garfield/Paramount Pictures

Tom Cruise and director Joseph Kosinski sure hit the jackpot with . It’s a perfect storm of star power, nostalgia, smart casting, great marketing, deft direction, exhilarating action, and perfect timing. Cruise, still boyish at 60, slipped right back into character as cocky, talented Top Gun pilot Maverick. Audiences, ready to return to theaters en masse for something other than a Marvel movie, came out in droves. And longtime fans and newbies alike got everything they wanted: a rah-rah story that echoed the original (and Star Wars!), paid off the Maverick-Iceman (Val Kilmer) relationship beautifully, gave Cruise a viable love interest in Jennifer Connelly, delivered a shirtless sporting match, and showcased talented newcomers (most notably Miles Teller).Add to that incredible dogfight sequences, a great score (by Harold Faltermeyer, Lady Gaga, and Hans Zimmer), strong songs old (“Danger Zone”) and new (Gaga’s “”), and stellar use of IMAX cameras, and you’ve got an international blockbuster that has grossed $1.4 billion—and counting. The crazy thing is that suitors were lining up to buy Maverick as a streaming title. Cruise himself—arguably the last Hollywood mega-star with nearly unlimited clout—convinced Paramount to wait out the pandemic and release the film theatrically. It was a win-win for theaters, Paramount, Cruise, and moviegoers. [Ian Spelling]

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