The Afterparty revisits high school to show just how all its relationships got so toxic
It's not just the wigs making a lot of people look bad here.
TV Reviews The Afterparty
Poor Walt. All he wants is a little acknowledgment of his own presence in everyone’s lives, but even his own episode isn’t named after him. And if anyone’s true personalities are revealed here, it’s Xavier and Aniq’s.
Xavier has so far floated around the edges of the show, popping up periodically to showcase some pretty standard obnoxious famous guy behavior. But with a look back at the fateful St. Patrick’s Day party, the truth about why a couple people in particular hate him becomes abundantly clear. In one single night, he brutally humiliates Aniq, flippantly punctures his chances of going to Stanford, and spreads an absolutely horrendous rumor about Chelsea that ruins all of her high school friendships. The first happens because he’s heartbroken after Yasper implies Aniq advised him to break up his band, and the second happens for no reason beyond the fact that it’s convenient, and he’s desperate for approval. It’s profoundly toxic behavior, a prioritization of his own temporary emotional satisfaction without even a moment of thought for the potential repercussions for the people he’s affecting. But the show stops short of condemning the people who aid him in this behavior, without much introspection about the huge quantity of people who see him walking a stumbling drunk Chelsea down the hall, assume the worst, and do nothing to stop him. Nor do they listen to Chelsea when she tells them he’s making everything up, even though everything we’ve learned about these characters up to this point suggests that Chelsea is a much more reliable narrator than him.
All of which, unfortunately, tracks for what happens in situations like that. But it’s mildly frustrating that the show goes so far as to make Xavier’s two victims a Black man and a woman here, and then doesn’t quite take the next step to hammer home why he was specifically able to target those two people with zero consequences, and very soon thereafter went on to fame and fortune. There’s even an odd color blindness to the interaction he and Aniq have with the police, which suggests that the reason Xavier gets released is because his father is wealthy and well-known. And that’s obviously part of what’s happening there, but there’s a strange hesitance to address the racial dynamic occurring in that moment. Some of that can be attributed to this being told from Walt’s perspective, but for as much as Walt’s supposed to be a cipher, the absence of something is just as telling as its presence. Are we supposed to believe that Walt is himself oblivious about the subtext here? It’s not that we need the point hammered home or something (the depressing reality here is bad enough), but it’s frustrating that the show doesn’t do anything with it. At least, not yet.
And while he’s certainly nowhere near as repulsive as Xavier, Aniq hardly comes out smelling like a rose. His fixation on crafting the perfect moment to ask out Zoe suggests that he’s not mature enough to be with her, but also that on some level, he doesn’t actually want to be. Is he crafting a rom com moment for himself, or is he trying to date the person he’s interested in? Brett isn’t exactly a prize, but he’s already ahead of Aniq as a suitor because he at least made it clear to Zoe that he liked her. You can’t count Aniq as a rival if he doesn’t show up in the first place. Plus, just as he has in the modern day afterparty, Aniq shows more interest in getting revenge on Xavier than he does in making his case to Zoe. Sure, being soaking wet when he asks out Zoe isn’t part of the plan, but he’s already hours late to the party (enough to make any girl think he’s not interested) and all he has to do is tell her what happened. But he won’t, because he’s more invested in the story he wants to tell about himself than he is in the real person. And while Xavier is wealthy enough that pressing charges against Aniq is clearly spite, Aniq did still wreck the car, and then get in a fistfight with Xavier, solely because Xavier dunked him in a pool at a high school party.
Everything Aniq does more or less fits in to standard rom com behavior. But there’s a sour aftertaste to it, which makes a certain amount of sense, because often the behavior treated as romantic in movies like that isn’t romantic, or loving, once you think about it. It’s possessive, insecure, and controlling. And it will be very, very interesting to see how Zoe has felt about all of this in the next episode.
Stray observations
- I’m not sure the genre worked for me here? The hideous wigs and music queues suggested an early aughts teen movie, but as someone who saw a lot of that type of thing in that era, the colors felt oddly muted, and the jokes not quite broad enough. But I did think this was some of the most effective storytelling the show has done.
- Walt was in the car with them?! And, notably, also seems to have heard “I’ll kill all of ya” from Brett.
- “Pop is just a fad. Ska is forever.” Legitimately cannot tell if the writers think ska was still popular in 2006 (a year in which Reel Big Fish, possibly the biggest pop ska band, was dropped from its record label) or if the point is that Xavier and Yasper were just bizarrely behind the times.
- There’s a ton of toxic male behavior on display in this episode, but one part that I really liked but ran out of room to get into above is the fact that while Aniq is fighting because he thinks Xavier ruined his chance with Zoe, Xavier is fighting him over Yasper. And Aniq genuinely has no idea, because despite his self-image as a shy nice guy, he’s actually confident and cool enough to be Yasper’s friend, unlike Xavier, and he’s oblivious to the notion that he blew up that friendship.
- OK, also, by 2006, people had iPods. Unless, like me, you were driving a 1995 Honda Civic, in which case you were still carting around a book of mix CDs.
- Is this the only time Ben Schwartz has ever been seen without his hair poofed up to full volume?
19 Comments
Ska is forever though, that part is true!
yeah the ska joke is insanely antiquated for 2006. it’s fine because i don’t mind a ska joke, but any kids into ska in 2006 would not be going to a cool party. also boy bands were pretty much done at that point, so the whole bleached hair/popstar thing doesn’t track. dark, weird timbaland production was ruling the airwaves.they’re kind of blending stuff from the real time period (music was fairly spot on) and then stuff from a full decade earlier because that reflects the actors/creators actual high school nostalgia. it works insomuch that this is a broad comedy, i guess.i agree that this episode at least moved things forward and i liked it for that.
I definitely thought it was supposed to be a play on how deeply uncool Yasper and Eugene are (see their names).
Yah, I was in high school in the late 90s and a lot of this stuff resonated more with me than I would imagine kids from the mid-aughts.
Assuming there actually is a killer (or responsible party), I’m almost certain I know who it is and it’s because of an Apple policy they have regarding Apple usage on screen
Bad guys can’t have Apple devices?
Yup, that’s the one. In the first episode it caught my eye that one of them didn’t seem to be using an Apple device
I thought the same thing until someone said that Apple let objectively bad people use iPhones on The Morning Show. I think because it’s their show that they will bend their own rules, and what better place to do it than with the most obvious red herring ever? THAT SAID, I still won’t let him slide because I think they doth protest too much with their red herring.
That’s actually very interesting, I admittedly haven’t watched any other Apple TV+ shows other than Ted Lasso, but that would make sense
Did anyone else think the scene with the CD finding it’s way to Zoe was a riff on a similar scene with a letter from Can’t Hardly Wait? The set-up is almost too similar to be a coincidence. Actually the whole episode basically works as a riff on Can’t Hardly Wait, or at least that’s the closest forebear.
As someone who was a sophomore in 2006, was I experiencing something akin to war flashbacks? Yes. The aeropostale, the Razr cell phones, and the…overall vibe. Damn.Demetriou is so funny. Stath Lets Flats is on HBO Max, if you haven’t already checked it out. One of the funniest things I’ve ever watched.Anyway, I’m still leaning toward either Yasper or Indigo as the murderer, but Jennifer #1 (and her accomplice Jennifer #2) isn’t looking too great right now either. I wasn’t expecting too much from this show at the on-set, but I’m liking it very much.
totally agree about stath lets flats – it’s brilliant! he is so unbelievably good in it.
Same. This was my favorite episode so far (other than the Ben Schwartz one, because his stuff always lands for me even though he always plays essentially the same character), but I found it really hard to get over the fact that I am like, exactly the same age as these characters and they’re already going to high school reunions.I thought the show did a good job of portraying something a little bit closer to high school parties circa 2006 as opposed to the movie tropes–especially around the already slightly out of date for 2006 decor–although it’s inevitably a blend of both.
God those Demetriou kids are funny. Bring on the Tash and Ellie sketch series please!
They didn’t hear him say “Kill all ya” because he was yelling for his kid’s “koala”.
Re: ska, if you were WAY INTO ska in 2006 (like me) then you really did think it was something that would be revived wave after wave forever. We were incredibly clueless about just how fleeting of a ‘fad’ ska ever was. I still fuckin’ love that stuff, though. No shame.
I know tons of people who were into ska in high school, which was between 2007-2010 for us. and my hs boyfriend made me tons of mix cds between 2009-2013 because my car and laptop took CDs at that time. fully agree regarding Aniq!!!
“Make Xavier’s two victims a Black man and a woman here, and then doesn’t
quite take the next step to hammer home why he was specifically able to
target those two people with zero consequences, and very soon
thereafter went on to fame and fortune. [. . .] It’s not that we need the point hammered home or something (the
depressing reality here is bad enough), but it’s frustrating that the
show doesn’t do anything with it.”
So should it be hammered home or not? I felt like that both points were pretty clearly made, myself. The problem is with a show like this which is basically a broad comedy, how hard do you want to dive into that? (And, as mentioned later in the review, Anik IS the one who destroyed a car.)
While I agree with everyone else that this didn’t feel all that 2006 to me (I could have easily seen a lot of it happening—to some degree anyway—at a high school party I might have been at in the late 90s) but I also suspect that’s done on purpose. That said I always seemed to be one music playing technology behind everyone else—when kids were moving on to discmen, I was still listening to tapes I’d make on a walkman, then when iPods became a thing, I was always with my discman (and not because I found it particularly cool—though I never trusted the discman with CDs I actually bought and only would play burned ones in it that I didn’t mind scratching or losing, but it was more just a money and practicality issue for me)
Agreed. It seemed obvious, especially with Walt not getting arrested for being naked.