The Avalanches return with a vengeance, and Belle & Sebastian live: 5 new releases we love
Music Features The Avalanches![The Avalanches return with a vengeance, and Belle & Sebastian live: 5 new releases we love](https://img.pastemagazine.com/wp-content/avuploads/2020/12/15041156/oqx7m4gokdpsyc97zdhe.jpg)
There’s a lot of music out there. To help you cut through all the noise, every week The A.V. Club is rounding up A-Sides, five recent releases we think are worth your time. You can listen to these and more on our Spotify playlist, and if you like what you hear, we encourage you to purchase featured artists’ music directly at the links provided below. Unless otherwise noted, all releases are now available.
The Avalanches, We Will Always Love You
[Astralwerks]
In a quarter of the time it took for the Avalanches to follow up their game-changing Since I Left You with 2016’s Wildflower, the Aussie alchemists have returned with 25 ecstatic new tracks and one of the most impressive guest rosters ever assembled. Blood Orange, Denzel Curry, Rivers Cuomo, Kurt Vile, and Perry Farrell contribute vocals and lyrics, as do the storied likes of Jamie xx, Tricky, Johnny Marr, Karen O, and more. Inspired by nothing too grand—just the very cosmos itself—these songs sparkle with retro synths, static crackles, and 8-bit lasers, their woozy, romantic refrains evoking moonlit raves and stoned bouts of stargazing. Like its predecessor, We Will Always Love You is more of a proper pop album than a Since I Left You-style collage, though listen close and you’ll still hear Dev Hynes’ voice intertwining with Smokey Robinson or Burt Bacharach tangling with MGMT. “Running Red Lights,” the song’s sunniest single, even nods to the late David Berman, whose voice resounded throughout Wildflower. [Randall Colburn]
Belle & Sebastian, What To Look For In Summer
[Matador Records]
As anyone who’s ever found themselves enraptured at Stuart Murdoch’s side while he vamps through an eight-minute version of “The Boy With The Arab Strap” can attest, Belle & Sebastian have come a long way from the “chaotic and unsuccessful” days of its early concerts. That evolution into lively, limber onstage entertainers is the feature presentation of What To Look For In Summer, a double album documenting various club, festival, and cruise dates from 2019. It sounds fantastic, crisp and pristine and with all the chamber-pop lushness and session-player precision “If You’re Feeling Sinister” and “Dirty Dream Number Two” once only played at on disc. That extends to some of the lowest ebbs in the band’s discography, too: If you think “essential Belle & Sebastian live album” sounds like an oxymoron, you won’t believe the way it makes you reconsider every Fold Your Hands Child, You Walk Like A Peasant track on the set list. [Erik Adams]
Jordana, Something To Say To You
[Grand Jury Music]
With an effervescent lightness that belies the emotional tumult of the lyrics, the sophomore LP (really a combination of her two EPs from earlier this year, Something To Say and To You) from pop musician Jordana is a classic pairing of heavy themes and breezy instrumentation. There’s more than a hint of old-school coffeehouse jazz-pop in the organic grooves that make up the majority of the record, albeit fused to very modern electronic beats and even the odd distorted riff, as on the mid-’90s electro-pop of “Big.” But Jordana’s strengths reside in pulling back, letting her often cleverly restrained vocal melodies and delivery pull the listener closer, the better to deliver barbed confessions on songs like “I’ll Take It Boring” and “F___ You.” The gentle guitar licks evoke everything from Cornershop to Laura Marling, but the fizzy bounce of the rhythm keeps the head nodding, even when Jordana aims straight for the heart. [Alex McLevy]
Nilüfer Yanya, Feeling Lucky?
[ATO Records]
Following up her ambitious debut album Miss Universe, London-born musician Nilüfer Yanya’s new three-song EP is smaller, but feels no less expansive. Yanya’s got a lot on her mind, especially at the tail-end of a year that stripped away many of the constants in the life of a touring musician, and Feeling Lucky? reckons with the overwhelming disillusionment of 2020. Pleading, “If you ask me one more question, I’m about to crash,” in opener “Crash,” there’s a sense that it’s all too much to bear as Yanya’s soft vocals tumble downward over a fuzzy, walloping bass. But the track is a pop-rock miracle, putting its disparate elements in conversation with one another to achieve a sort of infectious, chaotic bliss. There’s a similar raw but confident energy to “Same Damn Luck” and “Day 7.5093,” with each new turn of phrase, each twinkle of synths seemingly driven by pure instinct. Luckily, Nilüfer Yanya’s got great instincts. [Cameron Scheetz]
Dog Trainer, “2019”
[self-released]
The last thing anyone needs right now is another reminder of just how much 2020 sucked. And honestly, the first line of indie outfit Dog Trainer’s “2019” (which is the ever-relatable groan, “Fuck, I forgot my mask, gotta go back”) gives the brief impression that this song will be just that: a retread of what we already know. But stick around, because gentle guitar strums pave the way to an inarguable truth: For some of us, the year before wasn’t all that great either. A sunny production, complete with the catchiest of choruses, prevents the overall message from becoming too much of a downer. In fact, the softly rocking jam sesh feels almost communal, like sing-along fuel for a crowded bar with your good friends. While you may not want to necessarily commemorate the year, “2019” is a reassuring token of our resilience. [Shannon Miller]
21 Comments
Hmm, interesting. I caught a deeply disappointing Belle & Sebastian in show in around ’05 or so and never bothered to check them out again.
Saw them in ‘03 and they were an all-time favorite live show. (Was very skeptical going into it with how their shows in the early years were talked about.)
I can’t remember a lot of detail, just generally feeling like they were flat and uninspiring.
In 1998 I attended one of their shows at Philly’s late, great Trocadero Theatre. After waiting quite some time for the band to even appear, Stuart Murdoch walked on stage and informed us that the show was cancelled. Apparently, Isobel Campbell had fallen ill and could not perform.
I suppose that we were all disappointed, but really couldn’t in good conscience be pissed.
I HAD NO IDEA ABOUT NEW AVALANCHES THANK YOU
You may find this interesting then. They gave away their entire record collection.Why The Avalanches ditched their record collection:https://www.bbc.com/news/amp/entertainment-arts-55220320
Good on them!
That Jordana track is pretty good, but the vocals are so wispish as to almost disappear. I feel like this is a somewhat tiresome trend I’ve noticed in recent years. You’re allowed to project!
For those of you who want to get your Avalanches and Belle & Sebastian fixes at the same time, here you go:
Sturgill also just dropped a second album of bluegrass, Cuttin’ Grass, Vol. 2: The Cowboy Arms Sessions. It’s mostly new interpretations of work he’s released previously, but apparently there are two new songs as well. https://www.npr.org/2020/12/11/945088769/hear-sturgill-simpsons-cuttin-grass-vol-2-the-cowboy-arms-sessions-now
Confession: The video for Since I Left You makes me legit teary-eyed.
That boy needs therapy
Lie down on the couch! What does that mean?
He’s a nut! He’s crazy in the coconut!
this was a truly insane release week: The Avalanches’ gorgeous new odyssey, Kid Cudi’s surprisingly terrific new Man on the Moon, Taylor Swift and a Deftones remix album to listen to on the same day! I haven’t even got to the new Black Wing album yet, but Dan Barrett is one of the greatest musicians currently working so I’m pretty sure it will be great
The vocals are weedy sounding and repetitive. Typical Australianos, really.
most of the featured vocals aren’t from Australians but sure whatever buddy
who/where are they from then?
I’m still waiting to be in the right mindset to listen to the new Cudi (re-creating the feeling of being an underclassman in college, mainly) but it does have me pretty hype already.
Yeah but they’re not as groovy as Lulu.