The best comics of 2020

Aux Features Best Of
The best comics of 2020
Shadow Of The Batgirl (DC Comics); A Map To The Sun (First Second); Séance Tea Party (Random House Graphic); Blue In Green (Image); She Would Feel The Same (ShortBox); Sports Is Hell (Koyama)

From the shiny hardwood floor of a basketball court to the far reaches of space, this year’s best comics took readers to all sorts of distant lands. Granted, “distant” gained a new meaning when people were expected to stay in their homes as much as possible. Like the entire entertainment and publishing industries, the world of comics was rocked hard by the pandemic, with distributors and publishers forced to make major adjustments. But that didn’t stop the publication of some exceptional comic book series and graphic novels. As the YA market grew, it continued to put out remarkable titles, with new publishers and fresh creative voices livening up the field. The strongest superhero books took audacious steps to reimagine existing characters and concepts, and in a surprising development, sports emerged as a major subject area, with three of the year’s best graphic novels tackling the topic from very different angles. Here are the 10 best comics of 2020, according to our Comics Panel writers.

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A Map To The Sun (First Second)
A Map To The Sun Image First Second

There’s a moment very early in Sloane Leong’s that spotlights the visual poetry that makes this graphic novel so captivating. While introducing two of the main characters, Leong transitions between the teenage girls with a silent page that fuses their individual interests of basketball and surfing. A basketball falling through a hoop transforms into a person diving into water—a graceful, spellbinding move that gives the imagery a sublime quality, particularly when paired with Leong’s vibrantly expressive coloring. Leong uses moments like these to enrich her story of a new high school girls’ basketball team, which features characters and situations that are firmly rooted in reality, paired with an aesthetic that isn’t afraid to experiment to enhance emotion. Aditya Bidikar’s lettering adjusts seamlessly with these stark visual shifts, changing the colors of word balloons and borders to match the mood of Leong’s artwork. This all makes for an especially immersive experience, pulling readers into the characters’ heads to show off their distinct perspectives, an essential aspect of a narrative that is all about showing empathy for others during the trying times of adolescence. [Oliver Sava]

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