The best comics of 2021

The Comics Panel team picks its top 10 comics of 2021

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The best comics of 2021
Clockwise from top left: Alexander, The Servant, And The Water Of Life (Image: Reimena Yee), Djeliya (Image: TKO Studios), The Good Asian (Image: Image Comics), Graveneye (Image: TKO), Look Back (Image: Viz Media), No One Else (Image: Fantagraphics), Wonder Woman Historia: The Amazons (Image: DC Comics), Radiant Black (Image: Image Comics), Tiger, Tiger (Image: Petra Erika Nordland), Wayne Family Adventures (Image: DC Comics/Webtoon) Graphic: Natalie Peeples

The comic book industry has shifted after the massive disruption of 2020. Publishers started exploring new distribution partners in 2021, and big-name creators joined forces with Substack to make the newsletter platform a surprising power-player. Seeing the massive success of the Webtoon digital platform, DC and Marvel both launched their own vertical-scroll digital comics, with the former partnering with Webtoon directly (and seeing much better results). Change often inspires creativity, and this year saw some exceptional releases from all corners of the industry. Here are the 10 best comics of 2021, according to our Comics Panel writers.

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Alexander, The Servant, And The Water Of Life
Alexander, The Servant, And The Water Of Life Graphic Natalie Peeples

Alexander, The Servant, And The Water Of Life (self-published)Reimena Yee’s ongoing webcomic is the latest addition to the long tradition of the Alexander Romance. Having received omens of his impending death, a frightful Alexander is told by a green-clothed servant of the Water of Life that will grant him immortality. They set out from Babylon in search of it, recounting the legend of Alexander on their journey.As with Yee’s The Carpet Merchant Of Konstantiniyya, which was also a webcomic, the mesmerizing comic is chock full of historical and archaeological references. They make frequent use of lavish splash pages, the details of which the footnotes elaborates on. Most of Yee’s work is steeped in the visual—and often sequential—traditions that came before it, but with their take on the Alexander Romance, they are directly adding to one. The narrator of the webcomic is, technically, the character of the Author within the larger frame narrative, creating the rest of the pages for the reader. What’s fascinating about the webcomic are the additional layers of metatextuality that Yee adds. With Alexander, The Servant, And The Water Of Life, the reader is quite literally witness to the continuation of the Alexander Romance tradition. That tradition is primarily rooted in the written word, and Yee incorporates that while expanding the accessibility of their book with captions, often poetic in nature, describing what occurs in the panels. The captions, which arguably function as sequential poetic images in their own right, further expand the notion of what constitutes a comic. [M.L. Kejera]

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