The trailer for Jane Campion’s The Power Of The Dog might as well be called “Movies are back!”
The Oscar-winning writer-director of The Piano brings Benedict Cumberbatch, Kirsten Dunst, and Jesse Plemons to the suspenseful Old West.
Aux News Jane Campion![The trailer for Jane Campion’s The Power Of The Dog might as well be called “Movies are back!”](https://img.pastemagazine.com/wp-content/avuploads/2021/11/15022318/f14aae8d659f6d1caf56fcdc8131b94d.jpg)
Vin Diesel might’ve gotten some of the credit for bringing the movies back with F9: The Fast Saga, but it takes a new film from legendary, Oscar-winning filmmaker Jane Campion to make it true. The director’s latest, The Power Of The Dog, has what we need: lovingly photographed vistas of the American West, slimy tension and emotional fury brought to you by Benedict Cumberbatch and Kirsten Dunst, and the arthouse’s number one boy of the moment Jesse Plemons. Hell friggin’ yeah, the movies are back.
The trailer’s centerpiece is Cumberbatch, who has finally settled on an American accent that works for him (because his Doctor Strange one never really did the trick for this writer). His menacing stares hone in on his brother’s wife Rose (Jesse Plemons and Kirsten Dunst) and her son (Kodi Smit-McPhee), who makes paper flowers to Burbank’s mocking bemusement.
Here’s the synopsis:
Severe, pale-eyed, handsome, Phil Burbank is brutally beguiling. All of Phil’s romance, power and fragility is trapped in the past and in the land: He can castrate a bull calf with two swift slashes of his knife; he swims naked in the river, smearing his body with mud. He is a cowboy as raw as his hides.
The year is 1925. The Burbank brothers are wealthy ranchers in Montana. At the Red Mill restaurant on their way to market, the brothers meet Rose, the widowed proprietress, and her impressionable son Peter. Phil behaves so cruelly he drives them both to tears, reveling in their hurt and rousing his fellow cowhands to laughter – all except his brother George, who comforts Rose then returns to marry her.
As Phil swings between fury and cunning, his taunting of Rose takes an eerie form – he hovers at the edges of her vision, whistling a tune she can no longer play. His mockery of her son is more overt, amplified by the cheering of Phil’s cowhand disciples. Then Phil appears to take the boy under his wing. Is this latest gesture a softening that leaves Phil exposed, or a plot twisting further into menace?
In a dispatch from the New York Film Festival for The A.V. Club, Vikram Murthi gave the film a mostly positive assessment, focusing on Cumberbatch’s performance as the highlight. Murthi writes:
Campion’s occasional heavy hand often seems at odds with her cast, who instill their characters with nuanced emotions and genuine menace. Cumberbatch especially stands out, trading his typically reserved, oft-stilted manner for convincing man-of-the-plains swagger—a masculinity that Phil himself seems to be performing, for himself as much as for others. His vibrancy both grounds and shakes up the rest of the ensemble.
Though she spent the 2010s spearheading the Emmy-winning Top Of The Lake starring Elisabeth Moss, Campion hasn’t made a feature film since film since 2009’s Bright Star. So we’re happy she could return to movies and bring them back to us.
The Power Of The Dog will hit select theaters in November and stream on Netflix on December 1. Let’s go!
45 Comments
It’s gonna be a stretch for Cumberbatch to play a guy who’s kind of a dick.
I’m thinking it’s more that’s he’s into dick than actually being one, if I’m reading between the lines of that trailer correctly.
It can be both.
See episodes 1,2,4 of ‘Patrick Melrose’.
Because for authenticity he should go full dick?
If you want to bring home the gold, never go full dick.
Read aloud to myself in that jive-infused RDJ voice.
And a stretch for Jesse Plemons to act at all.
Isn’t that the entire premise of Sherlock?
He’s more dick now than man.
Finally, movies are back on Netflix!
Best movie of the year.
The book is one of my favorites, so it’s wonderful to hear you say that. I’ve had high hopes since I heard Campion was making an adaptation.
Fuck, yeah! Campion and a great cast, but special attention to Dunst. This looks like high-caliber stuff that I wish more of for her. She’s pretty great.
You can say that again!
I was really sad that the pandemic essentially killed any hope for On Becoming a God in Central Florida because, despite it’s terrible title, that show was awesome. And Dunst was incredible in it. It was so funny and unique.
I don’t know, I thought it was an amusingly accurate title given the stakes of what was involved.
The book is great, and I’m glad to see that it looks like the film is up to the same caliber.
Fuck, yeah! Campion and a great cast, but special attention to Dunst. This looks like high-caliber stuff that I wish more of for her. She’s pretty great.
Does this really look like the American West to you or does it remind you of New Zealand?
Is anyone else feeling a bit of Western Fatigue?
No.
Pretty sure Rust won’t be hitting theaters anytime soon.
Relieved to see you didn’t tilt towards the rude… “Rust won’t be hitting anyone or anything in theaters anytime soon.”
No because to get them made nowadays they go revisionist, comic or elegiac which ends up being a refreshing change from the usual…
That’s the next genre the MCU will mash into its formula
From what? I mean, the news cycle has been dominated by the sad Rust news but I really haven’t seen a ton of westerns coming out recently…
It’s not really a “Western” (I’m basing this on the book, haven’t seen the movie), but more of a character study that happens to have a Western setting, like Hud or The Misfits. And it’s the 1920s, so it’s not like it’s the “Old West.”
I used to, when it was all assaulting sex workers and dudebros shooting each other for funsies. But this new crop of women-centric and women directed ones are fantastic.
I feel obliged to point out at this point that this post was not meant to be taken seriously.
Wait so you’re telling me this isn’t a movie about dogs?
He is a cowboy as raw as his hides.
Kodi Smit-McPhee seems determined to only star in Westerns with terrible titles, but if this is as surprisingly good as Slow West, sign me up.
He’s very good but they’ve got to stop stretching him at some point.
This the kind of movie Campions are made of!
Movies are back! (On Netflix…?)
I know Thomasin McKenzie is in this, but her part must be small indeed for no press to mention that while Soho is in theaters.You can’t bring up Vin Diesel returning the movies to us without that conjuring up this:
I remember loving The Piano and this new trailer made me realize that I’ve skipped on quite a few of Campion’s films. I now want to remedy that.
To me her best films are still her 1st 2. Before as the article states her “heavy hand” set in. Still something interesting in all of them.
Top Of The Lake: China Girl was incredibly awful in that regard.
I liked the beginning of the 1st season then the last 2 episodes began to really bother me. Never made it to Season 2.
yay! I still think Dunst deserved an Oscar for Melancholia, but looks like she’s turning it out for this film!
Vin Diesel might’ve gotten some of the credit for bringing the movies back with F9: The Fast Saga, but it takes a new film from legendary, Oscar-winning filmmaker Jane Campion to make it true.So Campion’s new film makes it true that Vin Diesel got some of the credit for bringing the movies back? The fuck?
Jesse Plemons and Kirsten Dunst as a married couple. Woo-Hoo! Fargo Season 2 reunion!