25 essential albums produced by Tony Visconti

No, they're not all David Bowie albums—we tossed in a few T. Rex classics, too

Music Features Tony Visconti
25 essential albums produced by Tony Visconti
Clockwise from bottom left: The Good, the Bad & the Queen – Merrie Land (The Good, the Bad & the Queen), David Bowie – Low (RCA Records), Thin Lizzy – Bad Reputation (Vertigo), T. Rex – Electric Warrior (Reprise Records) Graphic: The A.V. Club

If only for his lifelong collaboration with David Bowie, Tony Visconti would be among the greatest record producers of the rock era. Visconti and Bowie bonded early in the singer’s career and, together, they assembled an adventurous and enduring catalog anchored by such classics as Low, “Heroes,” and Blackstar.

Visconti, who turns 80 on April 24, has a legacy that extends far beyond Bowie, though. He was instrumental in the creation of glam rock, producing every one of T. Rex’s great albums. He proved himself equally adept at delicate folk-rock and thunderous hard rock. He adapted to the new wave, dabbled with alt-rock on both sides of the Atlantic, helped worldbeat singer Angélique Kidjo win a Grammy, and hasn’t rested on his laurels in recent years, either, making memorable records by Esperanza Spalding and Perry Farrell.

Visconti’s 80th birthday gives us the perfect opportunity to look back at his prodigious career. Not every great record he made can be found on this list of 25 albums, but this selection gives a good idea of the range and depth of his remarkable body of work.

previous arrow24. Adam Ant—Vive Le Rock (1985) next arrow
Adam Ant - Apollo 9

Vive Le Rock may represent the place where Adam Ant’s hits dried up—after ruling the early 1980s, he fell out of fashion by the middle of the decade—but the years have helped this 1985 album sound like a fascinating oddity. A cacophonic crystallization of the sound of the mid-1980s, Vive Le Rock pushes rhythms and synths to the forefront, allowing Adam Ant to get swallowed up in waves of echoes. It’s possible to hear the heavy twang of guitarist Marco Pirroni underneath the gloss, particularly on the rockabilly bop “Rip Down,” but the appeal of Vive Le Rock is how Visconti manages to find obtuse angles on the familiar tricks of Adam and Pirroni.

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