25 essential albums produced by Tony Visconti

No, they're not all David Bowie albums—we tossed in a few T. Rex classics, too

Music Features Tony Visconti
25 essential albums produced by Tony Visconti
Clockwise from bottom left: The Good, the Bad & the Queen – Merrie Land (The Good, the Bad & the Queen), David Bowie – Low (RCA Records), Thin Lizzy – Bad Reputation (Vertigo), T. Rex – Electric Warrior (Reprise Records) Graphic: The A.V. Club

If only for his lifelong collaboration with David Bowie, Tony Visconti would be among the greatest record producers of the rock era. Visconti and Bowie bonded early in the singer’s career and, together, they assembled an adventurous and enduring catalog anchored by such classics as Low, “Heroes,” and Blackstar.

Visconti, who turns 80 on April 24, has a legacy that extends far beyond Bowie, though. He was instrumental in the creation of glam rock, producing every one of T. Rex’s great albums. He proved himself equally adept at delicate folk-rock and thunderous hard rock. He adapted to the new wave, dabbled with alt-rock on both sides of the Atlantic, helped worldbeat singer Angélique Kidjo win a Grammy, and hasn’t rested on his laurels in recent years, either, making memorable records by Esperanza Spalding and Perry Farrell.

Visconti’s 80th birthday gives us the perfect opportunity to look back at his prodigious career. Not every great record he made can be found on this list of 25 albums, but this selection gives a good idea of the range and depth of his remarkable body of work.

previous arrow25. BadfingerMagic Christian Music (1970) next arrow
Dear Angie (Remastered 2010)

Badfinger’s debut album bears somewhat convoluted production credits due to how it recycles part of Maybe Tomorrow—the 1969 album the band released under their original name of the Iveys—and adds “Come And Get It,” a tune Paul McCartney handed to them telling the group not to change a note of the arrangement. One of three songs produced by McCartney, “Come And Get It” did indeed become a career-making hit for Badfinger and if its presence throws Magic Christian Music—a pseudo-soundtrack for The Magic Christian, a Terry Southern satire co-starring Ringo Starr and Peter Sellers—off, it’s not as much as the new additions produced by Mal Evans, the Beatles confidante who discovered the Iveys; “Midnight Sun” points the way toward the heavy, hooky “No Matter What.” In turn, such Visconti-produced tracks as “Dear Angie” and “Crimson Ship” are exquisite remnants of the tuneful, harmony-laden 1960s guitar-pop that was falling out of fashion as the 1970s dawned.

11 Comments

  • wrecksracer-av says:

    some of my favorite records on this list. Glad to see Flo and Eddie get some love. Some of their best work is singing backup for T Rex.

    • tvcr-av says:

      One of the all-time greats. It’s a shame Visconti always gets short schrift for doing the Berlin trilogy, and people assume Eno was the producer.

      • diseasesofgenehackman-av says:
        • tvcr-av says:

          I love the specificity of this. Niche humour that rewards those who know, but would probably fall flat for anyone else. The Bowie voice is pretty good, but the other two aren’t even trying. This is like a Family Guy cutaway in an alternate universe where they’re not trying to reach the lowest common denominator.Surprised Eno never did a Music For Elevators album. Just seems like exactly the place it would make sense. I could see Apple getting him to write some music for their office elevators. That’s what I would do.

  • coatituesday-av says:

    I had forgotten he’d done Badfinger’s Magic Christian Music.  Used to love that album, and just recently got it on CD.  And – still love it.

  • jbacardi1-av says:

    You forgot then-wife Mary Hopkin’s 1971 Apple album Earth Song/Ocean Song.

  • yllehs-av says:

    I’ve never seen that John Hiatt album. The cover is way more New Wave than I would have expected from him.

  • fugit-av says:

    Did STE write this fresh or is this repasted licensed content from allmusic.com? Anyway had the pleasure of meeting Visconti a few times in Williamsburg when he was working with (i forget her name… Styleez or something?) and he was showing up regularly at Union Pool. Nice guy. Personable. Very… confident.

  • jamayhurcs-av says:

    No love for Fandangos in Space?! That album rules 

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