The 25 worst cover songs of all time, ranked

Artists like Mick Jagger, Duran Duran, and U2 are among the big names who've turned beloved classics into mangled monstrosities

Music Features Fred Durst
The 25 worst cover songs of all time, ranked
Clockwise from top left: Britney Spears, “I Love Rock N Roll” (Screenshot: YouTube); Lenny Kravitz, “American Woman” (Screenshot: YouTube); Madonna, “American Pie” (Screenshot: YouTube); David Bowie and Mick Jagger perform “Dancing In The Street” on June 20, 1986. (Photo: Brian Cooke/Redferns) Graphic: The A.V. Club

Even great musicians with the best intentions can serve up a bad cover of a cherished song. In some cases they might try too hard to be faithful to the original, leading to an interpretation that’s too stiff or slick. Or they can alter a song until it contains just the vaguest air of what made the first version special. In some cases they can wildly misconstrue the classic track, turning their take into a memorable monstrosity.

Whatever the reason for the failings by these artists, there’s no disputing that the original songs remain beloved, which is why brutally bad updates can be so difficult to swallow. This list of the 25 worst cover songs, like our look at the 25 best cover songs of all time, doesn’t pretend to be comprehensive. Still, as we surveyed the last five decades of pop and rock music, we’ve done our best to corral the truly awful covers and order them in a way that metes out some semblance of order, if not justice.

previous arrow2. Jessica Simpson, “These Boots Are Made For Walkin” (2005) next arrow
Jessica Simpson - These Boots Are Made for Walkin’ (Video)

When Jessica Simpson landed the role of Daisy Duke in the silver screen adaptation of the TV series The Dukes Of Hazzard, she also got the opportunity to give the movie its theme song. Hence, her revision of Nancy Sinatra’s “These Boots Are Made For Walkin.” Turning Lee Hazlewood’s splashy Hollywood strut into stiff robotic country-funk wasn’t enough for Simpson. Writing new words to match the film—”These double D initials work to run”—Simpson also adds a hoe-down breakdown on a newly constructed bridge. These inventions are attempts to align the song with the country—a misguided move that’s nearly as embarrassing as Simpson’s overheated vocals, which mistake breathiness for sexiness.

Leave a Reply

Your email address will not be published. Required fields are marked *

Share Tweet Submit Pin