Best of Sundance 2023: top films from this year’s festival

From Eileen to Theater Campto a Michael J. Fox doc, The A.V. Club recaps our favorite titles from the Sundance Film Festival

Film Features Sundance
Best of Sundance 2023: top films from this year’s festival
(Clockwise from bottom:) Eileen, Sometimes I Think About Dying, Theater Camp, Past Lives, Little Richard: I Am Everything (Courtesy of Sundance Film Festival) Graphic: The A.V. Club

A special screening of CODA put a, well, coda to the end of a successful hybrid 2023 Sundance Film Festival this week, returning to in-person screenings in Park City, Utah, after two years of virtual programming. As with that eventual Oscar Best Picture winner, the illustrious indie fest this year produced plenty of features worthy of prizes, distribution, and critical acclaim. The A.V. Club writers, both on the ground bundled in coats and safely at home watching on laptops, had plenty of favorites. Read on for some of the best offerings at this year’s Sundance—a primer, perhaps, on next year’s awards season.

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Eileen
Eileen Image Courtesy of Sundance Film Festival

Director: William OldroydCast: Thomasin McKenzie, Anne Hathaway, Shea Whigham, Marin Ireland, Owen Teague is a movie that will launch both endless debates and deep devotion. It’s bound to divide people, as evidenced by the stunned silence of its audience at the end of its Sundance premiere. Based on Ottessa Moshfegh’s acclaimed novel, the story starts quite conventionally. The eponymous character (Thomasin McKenzie), who works at a prison for adolescent boys in 1964 Massachusetts, becomes intrigued and consumed by a new counselor: Anne Hathaway, styled like Cate Blanchett in Carol, dripping with blonde perfection and glamour. No wonder Eileen looks at her like she’s craving candy. But there’s something sinister beyond this flawless surface.Directed by helmer William Oldroyd and adapted by Moshfegh and Luke Goebel, Eileen is a stylish and wild ride that never lets up from its first frame to its shocking finale. Oldroyd keeps the tension alive, cinematographer Ari Wegner fills the frame with beauty and color, and McKenzie, Hathaway, and Marin Ireland (in a smaller role as the mother of one of Hathaway’s patients) scorch the screen with psychologically complex performances. Expect to be enthralled. [Murtada Elfadl]

2 Comments

  • jodyjm13-av says:

    There are several films on here that look intriguing, but I have to say that All Dirt Roads Taste of Salt and Little Richard: I Am Everything are at the top of my to-watch list from this festival.

  • gruesome-twosome-av says:

    Past Lives and Eileen look like good ones. Not so sure about the rest.

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