It was more than a year ago that we first reported Westworld showrunners Lisa Joy and Jonathan Nolan were developing an adaptation of The Peripheral, William Gibson’s novel, for Amazon. Now here we are, a mere 19 months later, and the show has been given a series order by the streaming service. Time sure does move fast when you’re spending tens of millions of dollars!
Variety reports that while Joy and Nolan will be executive producing as part of an overall deal they signed with Amazon, writing and showrunning duties will go to Scott B. Smith, the author and screenwriter of A Simple Plan, The Ruins, and Siberia, among others. Additionally, Vincenzo Natali (In The Tall Grass) is directing, though it’s unclear if he’s just doing the pilot or pulling a Mimi Leder/The Morning Show scenario and shooting the entire first season.
The Peripheral is set in the near future, about a woman named Flynne Fisher who works a security detail inside a virtual reality game, but who ends up having to investigate an incident that may or may not be more real than she was initially led to believe. Honestly, it sounds like an awfully convoluted plot, as we mentioned when we gave the book a less-than-glowing review upon its release. Still, sometimes promising but flawed source material is better to adapt than a book that works perfectly in its original medium. And if there’s anyone who understands the concept of “promising but flawed,” it’d be the people behind Westworld.
19 Comments
I’d rather watch an adaptation of his novel about pants. That’s not even a joke.
I think Pattern Recognition is the best of that trilogy, but I did like that last book a lot. I never thought of men’s fashion being so influenced by military dress before.
I really enjoyed the tone of “Spook Country.” It’s like the whole thing is a big practical joke, but a very serious practical joke.
the thing ABOUT the pants was super interesting… but for me, everything Gibson’s written since the “Bridge Trilogy” has been a slog.
I kind of agree. I’ve been reading him for decades, back when the Neuromance series was still coming out. I’m still reading him when he puts out new work but he has been not quite great for the past few series of stories.
His present day fiction took me a while to warm to, but on a re-read of both I actually liked the Blue Ant Trilogy better than the Bridge one. I dug The Peripheral though, so I hope we get the sequel in January as promised.
It amazes me that we have yet to see a Neuromancer movie.
yet somehow we have a johnny mnemonic movie
Don’t forget New Rose Hotel!
Or a TV show about the Sprawl trilogy. I though that was what this was going to be, from the headline.
And Snow Crash is sitting right out there, doing nothing, too.
Wasn’t Amazon working on a Snow Crash miniseries?
That was the word on the street. Haven’t heard much about it lately, but that doesn’t necessarily mean anything.
https://www.avclub.com/amazon-is-making-a-snow-crash-tv-show-1818979922
They should have just done an anthology-style show based on his stories collected in Burning Chrome. 10 stories, only one of which has been previously adapted, and it would be a good opportunity to see how these showrunners can adapt the material and what the public appetite for it is.
The Peripheral
Oh I thought it was pretty good. It just dealt more with time travel than what you expect a William Gibson novel to deal with. My review is here:http://writersofcolor.blogspot.com/search?updated-max=2015-07-30T23:58:00-07:00&max-results=10&start=10&by-date=falseBack in the Before Time when there really wasn’t an Internet and Steve Jobs was developing our appreciation for tiny boxes with a multitude of fonts, “Neuromancer” was published in 1984 and very appropriately. And unlike computers being in the guise of an athletic woman breaking through an Orwellian screen, Neuromancer’s scribe imagined a “Blade Runner” directed world full of computer programmers with bad intentions, a dark world run pretty much by information and tech cartels that seemed far more powerful than nation states, and where he pretty much predicted Silk Roads. Still waiting for the neural jacks and the immersive VR but they’re coming. Your call as to whether William Gibson got the vibe right or not.
Gibson, in the years since, excels at writing science fiction where, to quote Gibson, “the street finds its own uses for things”. He just has an intuitive sense of pinpointing not only personal drone use but where and when and who they’re going to crash on. This is why any new book by Gibson, such as the recently published “The Peripheral” is such a big deal. What horrific thing will he pinpoint next.
What’s most surprising about the overall concept isn’t just his usual astuteness about tech trajectory — who among us couldn’t predict homemade fabbed 3D printed guns painted according to your area’s team colors or black and gold for the 2040 Allegheny county felon — but quite frankly: his way out time travel central conceit. But it’s the best possible time travel you can possibly have in that when you are a “Continua Enthusiast” you create a separate time line from the one you’re in. There’s no “Back to the Future” problem where you prevent yourself from being born and slowly watch your picture fade from existence. I suppose you could let that relationship with your hawt young mom progress but I digress. And you don’t physically go back in time, but more or less communicate backward in time. Plot machinations may ensue if there are versions of you in both timelines. But read the book.
Of course, being that this is a dark William Gibson novel, where the future Anti Singularity is called “The Jackpot” — imagine the worst combination of plagues, financial collapse and global weather disruption and there you go — and has reduced Earth’s population by about 90 percent, people create these “Continuas” for their own evil ends, of course, as opposed to saving the Earth with future technology although that might happen in one optimistic alternate world. Or as it says in the book: “We’re third worlding alternate continuas.”
They’re very much like the “Babylon 5” characters: The Shadows, whose motto is wars create progress. It’s like funding Hitler in the 30s and being really happy that they developed atom bombs (or radar, or computers, etc.,), which, who knows, might not have been invented in your future. By the way, if you’re wondering about the timelines there seem to be two: the earlier one seems to be happening no sooner than 2040 and the second one where the quantum travel time travel seems to be happening 70 years after, right around 2100. It’s not entirely clear but some of these things are happening in the far future, such as assembler technology used for assassination – which is pretty graphic in that you seem to disappear in a screaming puff of smoke with just your clothes left floating in the wind. There’s also some scientific theory behind quantum tunneling and communication in time, or look up the theories of Ronald Mallett or Seth Lloyd’s publications on quantum time travel. This could happen once you have a lot of functional quantum computers just lying around. Or you should hope that it doesn’t unless some future person is curious about what happens if you give the North Koreans or ISIS tech that’s decades before its time just to see what happens. For fun. Won’t affect him any. Goddamn Continua enthusiasts.
One of the nice things about the book is that it solves a problem about William Gibson novels: They’re not always easy to read. True confession: his best book is “Burning Chrome” because there you can study his imagery in a short story collection. Plus he just works better in short bursts. His narrators from somewhere beyond 2100 are his usual leads and they’re some kind of Mentats with AIs that make them even smarter. But his other narrators, mainly rural folk from Tennessee from 2040 or thereabouts, is a very young Flynn Fisher, who works at that time’s version of a Wal Mart, or an average Jane so to speak. So they’re constantly explaining some of his more difficult concepts in a very readable language that gives you a better idea of Gibson’s bigger concepts. Bottom line: a completely plausible and horrific exploration of a very possible future and why we should hope that non consequential time travel communication should never come on line. Also: an enthralling read that had you racing to the end. Give it 4.2 stars out of 5 if this is the kind of place that gives out stars.
Gibson seems to have a screen curse. He’s an excellent writer but all of his movie and TV adptations have been awful. He really needs to talk to Stephen King. Here’s hoping this one works out.
This wouldn’t be the Gibson novel I’d adapt if given the chance (I’d do a combination of Spook Country and Zero History and cast Tessa Thompson as Hollis Henry) but I can see why the Westworld folks would go for the near future sci-fi book with super convoluted timelines. It’s a shame the sequel keeps getting delayed (supposedly Gibson had to do a page one rewrite after the 2016 election) but it won’t be a Game Of Thrones situation as The Peripheral has a definitive ending.
Kinda hoping to see the Difference Engine, but hey, whatever.
The recent stuff tends to be too, uh, real? Meta?