Nightmare fuel: 21 horrifying moments from children’s entertainment

Winged monkeys, Wonka tunnels, and terrifying transformations that turn boys into donkeys and Muppets and Smurfs into zombies

TV Features The Brave Little Toaster

This article originally ran on October 28, 2015.

You may remember moments like these from your own childhood, or you may have already inadvertently passed some on to the next generation. You settle in on a rainy Saturday for an afternoon of classic, conceivably benign children’s entertainment. Suddenly you are struck by an unexpected moment that startles you so much, you know you’ll be fishing that nightmare fodder out of your psyche for years to come: winged monkeys, Wonka tunnels, terrifying transformations that turn boys into donkeys and Muppets and Smurfs into zombies. In honor of Halloween, we’ve plumbed the depths of our relative subconsciouses for a vast array of these moments, and discovered why the Brave Little Toaster had to be quite so brave. And if you’re really embracing the scary season, check out the supercut at the bottom of page. Who needs Halloween horror movies when Large Marge is around?

Check out the video above for some highlights, and read on for the full story.

previous arrow2. The Muppet Show: “You Do Something To Me” (1976) next arrow

The Muppets’ premier prime-time series had a knack for changing tones on a dime, best exemplified by the fact that all of its characters, no matter how prominent, were at constant risk of being blown up or eaten. This gives the show a marvelously chaotic sense of comedic tension, one that produced bizarre and occasionally startling moments like Kermit The Frog growing vampire fangs (and going after Vincent Price’s neck) or Tony Randall turning Scooter into a series of increasingly gruesome ghouls (and the most gruesome of all, The Great Gonzo). Such sudden and shocking transformations are at the center of “You Do Something To Me”—from the first­-season episode guest-­starring British polymath Peter Ustinov—which begins on a particularly unnerving note, as a sinister-­looking sorcerer pops into frame and skulks toward the pink puffball of a Muppet seated stage left. The canned laughter feels incongruous, but not as much as the sound effect that follows it: The booming combination of a laser blast and a detonation that precedes the sorcerer’s wicked tricks. As the song wears on, it’s not so much the various forms the puffball takes—a cat, a snake, a bearded­-and-horned devil—that disturb, but rather the sense that we’re witnessing some sort of Jim Henson-­endorsed torture, a sense reinforced by the character’s whimpering voice and upturned mouth. Ultimately, she gets her revenge, but it requires one last hit of that ear-shattering voodoo that “You Do Something To Me” does so well—and the most upsetting puppet design in a segment full of upsetting puppet design. [Erik Adams]

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