10 movies to check out on Prime Video this April

The Holdovers, Música, The Last Temptation Of Christ, and Red Eye lead Amazon's offerings this month

Film Features David Duchovny
10 movies to check out on Prime Video this April
Clockwise from top left: The Holdovers (Focus Features), The Last Temptation Of Christ (Universal Pictures), Red Eye (DreamWorks Pictures), Música (Amazon MGM Studios) Image: The A.V. Club

An Oscar-winning drama-comedy, a controversial Martin Scorsese movie about Jesus, an underappreciated Wes Craven movie starring Cillian Murphy, and a music-filled rom-com lead the post-Easter offerings from Amazon’s Prime Video. Da’Vine Joy Randolph won a Best Supporting Actress Oscar for her performance in Alexander Payne’s The Holdovers. Willem Dafoe plays Jesus in Martin Scorsese’s The Last Temptation Of Christ. Oscar-winner Cillian Murphy terrorizes Rachel McAdams midair in Red Eye. Riverdale’s Camila Mendes stars in the Amazon MGM Studios original Música. Other new arrivals in the Prime Video library this April include Cloverfield, Mimic, The Exorcist: Believer, SPECTRE, and many more.

previous arrowThe Holdovers (2023, available April 29) next arrow
THE HOLDOVERS - Official Trailer [HD] - In Select Theaters October 27, Everywhere November 10

Alexander Payne’s comedy-drama The Holdovers set during Christmas in the early 1970s won Da’Vine Joy Randolph a Best Supporting Actress Oscar for her role as bereaved prep school cafeteria manager Mary Lamb. The official description reads: “The Holdovers follows a curmudgeonly instructor (Paul Giamatti) at a New England prep school who is forced to remain on campus during the holiday break to babysit the handful of students with nowhere to go. Eventually, he forms an unlikely bond with one of them — a damaged, brainy troublemaker (newcomer Dominic Sessa) — and with the school’s head cook, who has just lost a son in Vietnam (Da’Vine Joy Randolph).” The A.V. Club’s writes: “Laced with questions about mental health, trauma, privilege, and entitlement that are rightly anchored in its 1970 setting but which ring all the more true in 2023, Payne reaches for a simple imperative to leave us with: let us be gentle with others (and ourselves) lest we build a world where only assholes are allowed to thrive.”

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