C+

Reservation Dogs recap: The show riffs on The Usual Suspects

In “Send It,” a series of interrogations sets up a low-stakes heist

TV Reviews Reservation Dogs
Reservation Dogs recap: The show riffs on The Usual Suspects
Kirk Fox as Kenny Boy Photo: Shane Brown/FX

The narrative backbone of season three of Reservation Dogs has been, surprisingly, the connection between the older (elder!) generation and our eponymous protagonists. We’ve had not only Dazed And Confused-esque flashbacks, but we’ve seen the likes of Rita, Fixico, and, yes, even Maximus, getting their own due. This has allowed the show to string together a strong sense of intergenerational community in the Rez, acknowledging how collective and individual past traumas still trickle into the everyday lives of these teenagers today.

“Send It” fits quite neatly into this storytelling frame by putting Old Man Fixico at its center—and by getting the younger generation (both the Reservation Dogs and members of the NDN mafia) to rally around the mending of a past rift. The rift between Old Man Fixico and his cousin Maximus was first hinted at in the pseudo apocalyptic episode where we saw Bear trying to get back to California (“Maximus”) and later fleshed out in the 1970s set “House Made Of Bongs.” And, as if wanting to similarly play with genre, “Send It” goes The Usual Suspects route, starting us off with a series of interrogations that sets up a would-be kidnapping and an unplanned arson moment.

Except that kind of structure (with the episode divided into several chapters, ostensibly framed by the interrogation scenes that open this week’s installment), makes this one feel a tad disjointed, as if the generic confines it’s trying to ape and subvert are ill-fitting wares. Which is to say that the playfulness of its storytelling ends up running counter to the rather affecting message about forgiveness the episode careens toward. I guess maybe a self-aware riff on a heist film that constantly draws attention to its own inability to live up to the slickness such a genre requires felt, to me, like a needless way to blunt the emotional core of what is, at the end of the episode, a touching reunion and a celebration of the elastic vision of family and community Reservation Dogs constantly illustrates.

To recap: Bear, Elora, Cheese, Willie Jack, White Steve, Bone Thug Dog, and Jackie are being interrogated by Officer Big. At first it’s unclear why; there’s talk of a kidnapping all the way in Tulsa but surely our young protagonists wouldn’t be that brazen, would they?

Alas, it turns out that they are—and were. They all banded together to help Willie Jack fulfill a self-imposed task: help Old Man Fixico mend things with an old friend of his he wronged many years ago. All they know is this other Fixico is in a psychiatric home in Tulsa; what they must do is break in and break him out to bring him back to where Old Man Fixico is now. That’d be the hospital, following a heart attack. It’s a sweet gesture from all of them, but it’s obvious that Willie Jack is particularly invested in this reunion; she’s taken her role as Old Man Fixico’s protégé very seriously.

The plan has many many holes in it. First off, it requires a vehicle. Enter: Kenny Boy.

Our favorite local junkyard owner wastes no time in trying to leverage this moment for his own benefit. Finally, all these kids will have to address him as “Uncle” and put him one step closer to feeling part of the close-knit Native community he’s long coveted. At least in exchange he offers everyone a school bus which is arguably the most laughable kidnapping getaway car the show could’ve devised.

And so, armed with a makeshift plan that involves White Steve playing decoy and Elora “cutting the phone lines” (hard given she has no knowledge of what chords to cut or where to even do such a thing), our fearless teens head to Tulsa in search of Old Man Fixico’s cousin. Who, yes, if you’ve been following this season, you know is a familiar face: Maximus.

And while White Steve and Elora eventually do right by their respective tasks, it’s soon clear this entire heist had the lowest stakes imaginable. Maximus doesn’t need to be taken away by force (let alone in secret): He’s allowed to leave the facility whenever he wants. But why would he want to visit his cousin?

It’s then the episode gives us one of its most affecting scenes, with Willie Jack admitting that one of the reasons she’s so hell bent on getting Old Man Fixico to mend his rift with his cousin is driven by the way she wishes she could, even if just for a moment, spend some time with her own cousin, Daniel. Sure, she knows their generation hasn’t had to deal with the trauma of, say, boarding schools, but that doesn’t mean they don’t understand the importance of keeping those bonds alive (even if that requires burning an entire school bus).

And so we return back to the interrogation scene where, of all people, Kenny Boy, further stresses the episode’s themes: “We’re a community,” he tells Officer Big. Some they like. Some they don’t. But that still means no one is left behind: As ever, Reservation Dogs stresses that the bonds between them (between mothers and daughters, Uncles and nephews, grandmothers and granddaughters, mentors and protégés) are equally important to bridging a collective. “We hold each other accountable. And sometimes we take the heat, but it’s all in service of each other. All of us.” It’s a beautiful sentiment made all the more evocative by the images of the faces of the teens who so fearlessly found a way to reunite Maximus with Old Man Fixico. And so, even while this episode felt a bit contrived, there’s no denying its final moments packed a punch (and that’s before we get to final Kenny Boy punchline that closes it out).

Stray observations

  • Love the way Kenny introduces the kids to Tulsa: “Home of Leon Russell, Gary Busey, The Outsiders, Rumble Fish and American classic, UHF.” Those last three films would make an ace Oklahoma-set triple feature.
  • Speaking of Kenny Boy: What’s your favorite of his preferred nicknames? Uncle Kenny? Uncle Boy? Uncle K? Uncle KK?
  • Cheese going on about how Gojira became Godzilla was all too brief! Where is the hour-long TED Talk about how he feels about this?
  • White Steve (Jack Maricle) continues to be a fitting one-note character joke that refuses to be flattened into its namesake moniker.
  • There were, no doubt, a number of great one-off lines I loved but my favorite may have been “This is Indian land; I want my lawyer and my grandma!”
  • The brief moment between Willie Jack and Elora on the bus (“Look! They’re hugging!”) was a tender reminder that the two rarely share enough scenes together. Indeed, one of the joys of the episode came from seeing so many of the teenaged Rez kids interacting with one another in pursuit of a united goal (rather than fighting with one another).

Stream Reservation Dogs now

25 Comments

  • milligna000-av says:

    What a wonderfully-written show. I’d have loved 2-3 more seasons of it but hope whatever they have planned next has the wind at it’s back.Oh and give Tazbah Chavez her own show to run.

  • mister-sparkle-av says:

    C+? That’s fucking bullshit!
    I loved this one. Great story and I laughed quite a bit. A- at the least. One of the best episodes this season

  • ghboyette-av says:

    C+? You fucking shitass.

    • tlhotsc247365-av says:

      Seconded 

      • ghboyette-av says:

        Just want you to know, I do everything I can to ungrey you. I’ve seen you on here for a while, and I think you’re pretty great. 

        • tlhotsc247365-av says:

          Why thank you. My original name was linked to a fb account that is no longer in existence. When that died I had to create a new one.

    • thai-ribs-av says:

      That was the smartest, funniest, and most meaningful half-hour of TV I can remember watching in a long time. It was so good I’m willing to look past the improbability of the school bus being constructed out of Semtex.I would have considered an ‘A-’ on the low side. But ‘C+’? Manuel Betancourt, you are dead to me.

    • nowaitcomeback-av says:

      Seriously, nowhere in the review does it discuss this as a C+ episode. It says the framing device didn’t really work. Okay? But C+? Fuck outta here.This was one of the funniest episodes AND most poignant episodes all season. Paulina Alexis deserves an Emmy. FUck this review.

      • smittywerbenjagermanjensen22-av says:

        One of the best episodes for Paulina Alexis as Willie Jack, my favorite character & possibly the best, funniest, & most affecting performance on the show 

      • avclub-ae1846aa63a2c9a5b1d528b1a1d507f7--disqus-av says:

        Yeah I kept waiting for the justification of the grade but….nada! This season has been amazing.

  • nahburn-av says:

    I just want to point out that there’s a movie this series spoofs the title of. That movie is Reservoir Dogs; and in that movie the title characters have names like Mr. Pink, Mr.White, etc. That last one is what White Steve seems to be a knowing riff on, especially given the fact that he’s one of the few who wears a suit in this episode. Also he nearly called his accomplice Mr. Brown(Quentin Tarantino’s character in Reservoir Dogs.) who also happens to be wearing a suit. It’s a shame they didn’t have shades but it’s a spoof…

  • dragonfly452-av says:

    This was an A++ wdym

  • mmmm-again-av says:

    Chief’s footage of Bev chewing gum. . . 

  • lopez-av says:

    This episode was great. Yeah, it was an obvious, preposterous set up and structure, but it was funny, touching, made a great narrative circle closing by getting back Maximus, and made great use of a bunch of fun, goofy side characters.

    Was it Deer Lady? Of course not. But this show continues to be the best show on TV right now.

  • nowaitcomeback-av says:

    Just want to add to the chorus of “Why the fuck would you give this a C+??”This was one of the best episodes of the season. Paulina Alexis deserves an Emmy. It was both very funny and extremely emotional. Her scene with Bear and Maximus in the hospital almost made me cry.Nothing in the review even suggests it should be a C+ other than an awkward framing device. But said framing device gave us the end credits scene, where Big shows the Rez Dogs the video of them stealing the truck, with Willie Jack insisting it’s not her, even as the video plays several of her “Willie Jack-isms” loudly and clearly. The review seems to indicate you enjoyed the episode. But the score doesn’t seem to reflect what the review is saying.

  • Tannhauser-av says:

    (hard given she has no knowledge of what chords to cut or where to even do such a thing) * cords

    • hiimdannyganz-av says:

      I agree, but in light of the fact that Elora had no idea what a telephone cord looks like, I think that the spelling actually works here.

  • cameatthekingandmissed-av says:

    Deserves an A for Big’s reactions alone, let alone everything else that was awesome.

  • prowler-oz-av says:

    I’m really going to miss this show and all the kids but especially Willie Jack. Her voice, her delivery, what comes out of her mouth. . . just perfection. I wish they would think about continuing the show doing what Richard Linklater did with the movie Boyhood. Revisit the kids in intervals of 2-3 years to see how they have grown, what they have been doing, did Big ever go public with his secret love?

  • rachelll-av says:

    Oh man, C+? No way, I LOVED this episode! <3 

  • grrrz-av says:

    we’ve had fantastic episodes this season so this one is clearly below the rest; but it ties neatly the great season arc about the elders friendship and lives.

  • dialecticstealth-av says:

    To echo some others, a C+ is a goddamn outrage. But then, I can’t recall a single episode this season I would give less than an A-.  This is one of the best, most touching, most human shows I’ve ever seen (and it’s funny as hell too).

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