Ripped from the headlines, RuPaul’s Drag Race puts on the best Rusical in years
As the competition moves forward, the queens discuss society moving backward
TV Reviews RuPaul
Following Marcia’s elimination, the top six appear on edge about their own placements in the competition. Anetra is hungry for a second win, Sasha is slightly shaken from a bottom three placement, Loosey and Luxx feel great after a shared victory, Salina without any wins is convincing herself that she can still win, and Mistress is oddly unbothered with all the swirling emotions in the werkroom. The heightened anxiety of RuPaul’s Drag Race mixed with interpersonal conflicts, shared trauma, a threatening political environment for drag queens, and musical numbers make for one of the season’s best episodes.
Barely able to sit down the next day, RuPaul’s video message beckons the queens to their feet. A vague message emphasizing the words “bacon,” “foot,” and “loose,” lead the queens to conclude that they are taking part in a musical. RuPaul enters to confirm that they will star in Wigloose: The Rusical. Taking place in a small town where drag is outlawed, this week’s challenge is like a ripped-from-the-headlines episode of Law & Order. Anticipating the recent anti-drag legislation passed in Tennessee, Drag Race tackles the bigotry and dangers of a reenergized anti-Queer movement through song and dance.
The werkroom
After running down the characters, RuPaul leaves the queens to assign their roles. As with past seasons, this casting couch causes drama. Mistress, Anetra, and Sasha claim their parts without conflict. Luxx and Loosey are another story. The former teammates battle over the starring role of Heaven Bacon. Salina, who also expresses interest in the role, learning from Metal-gate, opts for her second choice and exits the skirmish. Luxx and Loosey are unrelenting. They both put forth unpersuasive arguments talking about “resonating” with the character, sharing the character’s “energy,” and “seeing” themselves as the character. It becomes an awkward stalemate when Mistress escalates the argument. The fight suddenly morphs into something deeply personal with accusations that Loosey is being inauthentic about her motivations. As the discussion reaches an emotional pitch Loosey acquiesces only for Luxx to reverse course and give the part to Loosey. Somehow in the melee, Luxx also manages to strip Salina of the role she wanted.
RuPaul enters the werkroom for a walkthrough. She shares personal moments with Sasha and Anetra about their connections to their characters and how they can translate that into their performances. RuPaul also calms Salina’s nerves with an encouraging pep talk. At the same time, there is a sense that RuPaul might be exhausted by Salina’s emotional moments. Strangely, the cameras cut from Sasha’s walkthrough to a confessional moment between Loosey and Salina. The two queens discuss the drama surrounding the part of Heaven Bacon and how the charge of inauthenticity connects to Loosey’s past childhood traumas. The tension between Loosey, Mistress, and Luxx is growing and seems to have an effect on how Loosey is doing in the competition. The cloud extends over rehearsals, getting ready on eliminations day, the judging, and even the lip sync.
The challenge
Snuggly wrapped in a structural neon bandage minidress, RuPaul greets judges Michelle Visage, Ross Matthews, and special guest Orville Peck for the opening night of Wigloose. A staple since Season 6, this is one of the franchise’s greatest rusicals in recent memory, if not since the original Shade: The Rusical. Colorful, feel-good, and high energy, Wigloose also conveys an important message. Modeled after Footloose with touches of Spring Awakening, it is a cautionary tale about the dangers of repressive regimes and the power of self-expression through the art of drag. From the staging to the editing, choreography, and costuming, the technical production is perfection. Each musical number entertains while also moving the larger story along. While deeply indebted to its inspirational sources, Wigloose excels because of its solid and emotional narrative. Each part and performance, no matter the size, feels essential to the story and has a moment to shine. Every queen absolutely nails their parts and no one hits a false note. Judging from the smiles on the judges’ faces this episode should end with a lip sync for the win, rather than a lip sync for your life.
The runway
After a spectacular main challenge, the runaway becomes the determining factor on who will be on top and bottom this week. As the “Everybody Say Glove” category suggests, the garment covering the queens’ fickle fingers of fate is the focal point of each look. Loosey and Luxx took the approach of character from the directive. In a continuation of last week, Loosey finds inspiration from the Creature from the Black Lagoon with contrasting green retro swimwear and webbed gloves. Proving to be a fashion historian, Luxx channels a 90s emo skater girl playfully reinterpreting gloves as full-arm casts. Anetra’s rave-inspired dance costume incorporated blue leather gloves equipped with lasers. Mistress oozes opulence in an all-yellow gloved evening gown. In both cases, each queen showcases their personal style but their gloves feel incidental to the looks. It feels like Anetra and Mistress are recycling something they already had in their closet for the runway. In contrast, Salina and Sasha spotlight gloves with exaggerated and campy interpretations. Salina’s engorged red vinyl gloves, despite what Ross says, are impossible to miss. In the most ingenious looks of the night, Sasha is not actually wearing gloves as gloves, instead, her look is made entirely out of baseball gloves.
The judging
From the start, the judges admit that each queen did exceptionally well in the challenge. They praise Loosey’s professionalism as the lead, Anetra for turning a small character into the heart of the show, Sasha for taking a risky and unexpected part, and Mistress for relishing the villainess role. Salina has an emotional breakthrough concerning the separation of her drag persona and her real life and the judges fawn over Luxx’s natural charisma and authenticity. There seems to be little to no negative critiques for any of the queens.
In a twist, the judges opt to turn last week’s “rip her to shreds” runway into reality by posing the dreaded question “who should go home and why” to the queens. No contestant likes answering this question, but it is part of the deal of going on a reality competition show. Over the years, the sisterhood of Drag Race has crafted two acceptable ways to answer the question. You answer with the queen with the worst track record or the queen you consider your stiffest competition. The former is simply empirical statistics and the latter is more a compliment than an insult. Loosey and Anetra opt for the first path and name Salina as the queen with the weakest track record. Mistress and Sasha side with the second path. Mistress names Sasha as the clear frontrunner and Sasha names Luxx and Loosey as the two queens closest to matching her challenge wins. Luxx and Salina select a third path of chaos. After complimenting each queen individually, Luxx ends a lengthy monologue with a particularly brutal descriptor for Loosey: “generic.” The word causes Loosey to let out an audible scoff. Salina echos Luxx and names Loosey. Amplified by hurt feelings, because Loosey named Salina after their emotional connection earlier in the episode, Salina asserts that Loosey is “not the future of drag.” This perennial question, as always, makes for a fascinating Untucked.
Earlier in the episode, Salina wonders if Loosey is going to break. It nearly feels like a conspiracy with production to see if Loosey will crumble. Loosey’s vocal competitiveness episode after episode is partly to blame, but it is starting to feel like the edit is out to get Loosey. It’s the high demand of Drag Race. They want all your charisma, uniqueness, nerve, and talent. They want professionalism, perfection, and vulnerability. They want you to want to win. They want you to work hard and never quit. But, they also want it to all seem effortless. The episode felt like a pile-on from all directions. First, she is insincere or inauthentic then it is that her dancing is “rigid” and “studied.” Her performance is terrific, but is she “having fun” or just a “workaholic.” Even RuPaul brings up the tussle between Luxx and Loosey over the starring role. She rarely brings up backstage moments like that and it’s clear that producers put it in her ear. It feels like beyond a villain edit, Loosey is getting the Laganja Estranja treatment.
The judges’ deliberations make the bottom two clear. Salina’s fate is sealed when RuPaul says her aesthetic “needs a lot of work.” Similar to commenting on Marcia’s theater training, RuPaul’s statement confirms that Salina is never going to make it into the finale. Anetra, Mistress, Sasha, and Luxx receive stellar marks from each judge. Loosey is left and gets subtly eviscerated. As if influenced by Luxx’s “generic” comment, Michelle remarks that Loosey faded into the background when she appeared in drag during the musical. As if mimicking Salina’s “future of drag” comment, Ross suddenly does not think Loosey is having enough “special moments” like the other queens. The nail in the coffin comes when Michelle says “She’s all business. She’s not having fun.” Despite the pressure cooker that is RuPaul’s Drag Race, the cardinal sin for any queen is not to appear like you are having fun at every moment.
Mistress, Luxx, Sasha are safe. With only three queens left on stage, a testament to how close the competition is this week, RuPaul announces the winner at the last possible moment when Anetra snatches her second win. Loosey and Salina make up the bottom two. It is Loosey’s first time lip syncing for her life and Salina’s fourth.
The lip sync
The timely nature of the main challenge does not extend to the lip sync. After Stranger Things, millions of TikToks and Reels, and a smattering of poor covers, Kate Bush’s “Running Up That Hill” needs to be retired for the foreseeable future. It is a spectacular song, but Drag Race is using it months too late. An alt-pop masterpiece, it simply does not lend itself to a lip sync battle. In an episode built around the idea of authenticity, Loosey and Salina’s attempts at profound emotion with intense thousand-yard stares and outreached gloved hands feel slightly manufactured.
In fact, the most remarkable moment of the lip sync comes from behind the performers when Mistress yells out “C’mon Salina! Eat her up, bitch!” The edit suggests that the exclamation is loud enough for Ross to hear, so it is more than likely that Loosey can hear it as well. While yelling things out during a lip sync is not forbidden, this outburst feels faintly mean-spirited. At the very least, it undercuts Mistress’s claims to just be joking when it comes to Loosey. There is little doubt that this moment will not carry over into next week.
The internet argued that last week should have been a double shantay, and there may be an argument for a double sashay this week. The victory goes to Loosey for two main reasons. The first is that Salina simply has the worst track record with no wins. The second is that the brewing drama between Loosey and Mistress/Luxx is too strong to be resolved by her exit this week.
Stray observations:
- Loosey is in a really good mood after winning. She’s super kind of Salina and makes the great joke about Let Loose the Rusical.
- I’m in my over it era of all these eras.
- Again, having a rusical after Marica’s elimination is so mean. Also, will they ever return to live singing?
- Are parts really written for specific queens? It suggests the writers know who remain in the competition before it starts. Also, if parts are written for queens why all the drama around picking parts.
- It feels like Loosey is meant for Heaven Bacon and Luxx is meant to be Christian. If anyone feels like they switched intended roles it might be Sasha and Anetra.
- It feels like Loosey can both want to be the lead and also connect to the Heaven Bacon character.
- I’m not sure the lesson for Loosey was to think more about herself. The moment where she goes into that she led Luxx to a win last week felt like a wrong note.
- RuPaul most love that sincere DragCon plug from Anetra.
- Luxx and Mistress dominating the choreographer was hilarious.
- Sasha’s comment about Mistress doing a slide split was excellent.
- After numerous tales of rejection from family, the rusical felt like a cathartic release from all that past trauma.
- It was great to hear the queens discuss the anti-Drag laws and how they are being used to target marginalized people and deflect from real issues.
- Boy Drag! The road paved by Alaska’s Buffalo Bill in Season 5.
- Michelle has never look as happy as she did watching the Rusical.
- I’m not sure anyone can beat this glove look by Violet Chachki.
- Michelle calling Loosey’s look “cute” feels very cutting.
- Asia O’Hara and Scarlett Envy ran so Loosey could walk with this Creature of the Black Lagoon look.
- Orville’s “kelp” line was my favorite of the night.
- In defense of “Running Up That Hill,” I would pay good money to watch someone like Sasha Velour or Untitled Queen lip sync it. It’s just that it is a very niche song that requires a very specific kind of performer.
- It’s a shame that Salina gets eliminated when she was finally finding her stride.
29 Comments
I’m going to knock a few points off of an otherwise enjoyable for the show’s insistence on spoiling the eliminated queen at the very beginning of the episode with obvious and incessant confessionals and extra screen time. I also note that the previews also spoil the winner of next week’s mini challenge, which is an unwelcome development. Leave us with a few surprises, people!
Luxx’s runway monologue made for excellent TV. That being said, it’s pretty clear now that this excellent bitchery will not win her S15, now that Loosey’s getting the “Everybody Hates Jinkx” edit.
An alt-pop masterpiece, it simply does not lend itself to a lip sync battleIt’s clear to me that neither queen saw Bush’s original video for the song, which showcases one of the most memorable modern dance sequences in an ‘80s video that could have been referenced for a unique lipsync performance. I mean, I would have much preferred to see someone try a pushy-arms dance to “Wuthering Heights”, but there’s no reason that this lipsynch had to be so…static.
The show has been on a gazillion seasons globally and we all know the cast is given a list of all the possible lip sync songs for their season.Do your homeworkAnd take a sewing class
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but how have these queens not seen that music video, especially as musical theatre nerds
Time to google Noel Fielding does “Wuthering Heights”
OMG particularly if the did the dance together. its one of the great modern dance music videos
I just wish Loosey had enough confidence not to take the bait all the time but i agree it is getting to be too much. Is she a bit of a Tracey Flick? Yes. It seems not she’s getting less slack from the judges for being professional and on point but for example the twins were allowed to be sloppy ass bitches (or maybe those comments from the judges didn’t make it because of shorter run times) I don’t love the whole blame it on the edit myself but…Yea, they’re kinda doing her dirty.I personally thought Sasha was best but giving her 4 wins would be killing whatever little suspense is there about her win
I loved the Rusical. Loved the runway looks. Loved that Anetra won.
But when the end credits song asks “Can you feel the love?”, this season I have to say I honestly wish I did.
That Salina said she felt her light dim because of the bitches, and Loosey saying the bitchiness reminded her of high school really says it all to me. It’s such a shame that most of the clearly talented performers I saw in the Rusical aren’t as likeable as contestants. Just hard to watch.
“Just hard to watch.”Right. At some point it just crossed the line from old school drag queen ribbing to annoying and not entertaining. Not gonna psycho analyze too much but Mistress definitely gives me “hurt people hurt people” vibes.
I’m ready for Mistress to be gone. Her shadiness has started to upstage her drag.
I’m just going to have to watch the entire season again if and when they decide to release the early episodes in full. I get the feeling that the entire vibe of the season will change. I’m happy that Salina went out on a high note. But — and this a big but — production’s continued attempts to justify an elimination with carefully shady edits is most tiresome: we’re being shown bitchy moments (no doubt taken out of context) by the eliminated queen early in episode to make them unlikeable. I noted it with Marcia, and I certainly saw it with Salina tonight. Sasha’s still the only queen who hasn’t been shown to be unpleasant at any time.
This week it was the “Doosey” comment that bothered me. Whether Loosey heard that or not could have been a trick of the edit, but either way it was unprofessional schoolyard shit by Mistress (and Luxx enabling her).
The problem is (aside from the bullying, which is of course the real problem) that it’s ruining the show. This would have been an “A” episode for me if it didn’t have the un-fun, unentertaining, unintelligent negativity running through it.
In previous seasons if there were two queens wanting the same part they’d do a little audition for it in front of the other queens. That was fun and a smart way to see who’d be best suited for particular roles. These queens would have watched previous seasons but no one thought to try that?
This season was supposed to be the biggest, richest, 200+ episodes celebrating extravaganza. But instead of showing how far Drag Race has come, it’s gone back to old tired reality TV tropes to generate drama. I almost don’t want to watch next week because I know there’ll be more of it.
Adding to that, did a bit of online search fearing that this would be steered into “white girl tears when confronted with a non white and user her privilege” and it was on my first results in twitter looking at “bullying loosey”. So many years of racial discourse have achieved just normalising abuse as some kind of centennial revenge.
And of course Mistress in Twitter is bragging about it.
Well if that’s how the internet feels, then better respond in way they’d understand:
“I Don’t Like Bullies. I Don’t Care Where They’re From.” Steve Rogers – Captain America: The First Avenger (2011)
Sasha and Aneera are the only two of the six-now-five who are not only doing great but also staying above all the nonsense. Sorry, but Salina, thinking she never deserved to be in the bottom, and Loosey, thinking she never deserved to not win, are both equally delusional. Luxx and Mistress just can’t stop with the constant jabs at Loosey. Look, I am not a Loosey fan at all but for a group where one or two seem to break down in tears every episode about how bullied they’ve been, they sure do spend a whole lot of time bullying. Yes, some of it is friendly banter. But most of it, epsecially from Mistress and Luxx towardds Loosey and Loosey towards them is neither friendly nor banter. It’s just not fun to watch.
Visions of Fartopia: Man’s Enduring Search For A Perfect Place
To Cut The CheeseFlatulence is a natural bodily function that every human being
experiences. Whether it’s from the food we eat or other factors, farting is a
part of life. But for some, the act of farting is more than just a bodily
function. It’s a way of life. For those people, there is a place that they
dream of, a perfect world where flatulence is not only accepted but celebrated.
This world is known as Fartopia.Visions of
Fartopia have been around for centuries. From ancient myths about gods who
farted and created the world, to modern-day comedians who make a living off of
fart jokes, there has always been a fascination with flatulence. But it wasn’t
until recently that people began to seriously consider the idea of a perfect
world for farting.At its core,
Fartopia is a place where farting is not only accepted but encouraged. People
are free to let it rip without fear of judgment or embarrassment. In Fartopia,
farting is seen as a natural and even healthy way of releasing bodily gases.But Fartopia
is more than just a place for farting. It’s a place where people can be
themselves, without fear of being judged or ridiculed. It’s a utopia where
people can live without the stresses and pressures of modern society. It’s a
world where people can connect with each other on a deeper level, without the
need for small talk or pretense.In Fartopia,
there are no rules or restrictions. People are free to do as they please, as
long as it doesn’t harm others. There are no jobs, no money, and no material
possessions. Instead, people live off the land and work together to provide for
each other’s basic needs.Some might
scoff at the idea of Fartopia, dismissing it as a silly fantasy. But for those
who truly believe in it, Fartopia represents something much more profound. It’s
a symbol of hope and freedom, a vision of a world where people can live in
harmony with each other and the environment.Of course,
there are challenges to creating such a world. Fartopia would require a
complete overhaul of our current way of life. It would require a shift in our
values and priorities. It would require us to let go of our attachment to
material possessions and embrace a more communal way of living.But for
those who believe in Fartopia, the challenges are worth it. The vision of a
world where flatulence is celebrated and people can live in harmony is too powerful
to ignore.In
conclusion, the concept of Fartopia may seem silly to some, but for others, it
represents something much deeper. It’s a vision of a world where people can
live without fear or judgment and connect with each other on a deeper level.
It’s a world where flatulence is not only accepted but celebrated. While
creating such a world may be challenging, the idea of Fartopia offers hope and
inspiration to those who believe in it.You may say I’m just a sharter.But I’m not the only one.
While I think Loosey has just been fine (other than her excellent Snatch Game) and a little intense, her treatment at the hands of Mistress and Luxx is getting increasingly uncomfortable to watch. I wish she’d stop engaging, but they are relentless and then attempt to claim it’s all in good fun. It’s plainly not and it’s not fun to watch. Their placement in the top 4 seems assured, but they absolutely have no business winning. Good thing they won’t while Sasha is there.
The quote Judge John Hodgman, “If it’s not fun for everyone, it’s not fun for anyone.”
I genuinely don’t get why everyone is going so hard for Loosey. Like she’s hardly the most insufferable person to ever be on the show, and her complains seem aligned with what just about everyone says at one time or another. The strangest thing was people being like “you want the role cos it’s the lead.” Yeah, shouldn’t they all?! I agree with the panel saying Loosey seems meticulous and workman in a way that hinders how likable and fun she can seem, but everyone acting like she was the worst one there just seems like a weird plot point.I’m also giving them the benefit of the doubt that it read better in person, but I did not see what Sasha did that was so great with her character.
I just think she’s such a buzz kill. She’s a hardworker and I’m not knocking her drag, but the clips we’ve seen of her just make you feel a little drained. But who knows what’s occurring, we usually get a better understanding of the Queens post show.
That’s fair. She doesn’t rank high for me in my all time list of drag race contestants. It just seems like she’s getting a weird villain edit for things that are normal for contestants to say (i.e. I want to be the lead. I want to be in the top. I have more wins. etc)
It’s especially weird for a season in which the queens have been constantly fighting over who’s been second place in challenges, a largely immaterial distinction.
I don’t blame Loosey for denying that she wanted the lead role for lead-role reasons, given that Mistress and Luxx were brandishing it as an accusation instead of, as you say, a perfectly normal reason to want the lead role. Like, do I think that factored into her reasoning? Sure. Do I think she was right to say, “No, I just think I’d be good at it!” Under the circumstances, absolutely.
I don’t blame her for denying it. It just seemed like a weird accusation to throw around given it’s a competition. The things they’ve dragged Loosey for just seem like the…normal stuff people say on Drag Race.
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Am I the only one who thought Loosey was terribly miscast as Heaven Bacon? She did well with the dance and lipsynching, but she looked kind of like Liberace in a child’s costume. So the fact that she also “cast” herself by insisting she had to have the role feeds the delusion storyline that Mistress is so fond of pushing. Her drag reads older, she is older, and that’s okay – but know who you are and how you present. She seems to lack that insight. Still, the producers clearly want to keep her over Salina, who I thought did much better on the lipsync. Granted, neither were brilliant with this song, but Salina had more fun, did a slow split stunt, used the ridiculous gloves, while Loosey just kind of faded into the background. I was so surprised the win went to Loosey.