Shanghai Noon made perfect use of its mismatched stars, Jackie Chan and Owen Wilson
Film Features Watch This
Watch This offers movie recommendations inspired by new releases, premieres, current events, or occasionally just our own inscrutable whims. As part of Y2k Week here at The A.V. Club, we’ll be listing the 25 best films of the year 2000. These are some of our favorites that didn’t make the countdown.
Shanghai Noon (2000)
The most recent season of Karina Longworth’s podcast, You Must Remember This, covers the life of the late Polly Platt, the movie producer and art director who worked on some of the best films of the ’70s, ’80s, and ’90s—including Wes Anderson’s 1996 debut feature, Bottle Rocket. Throughout the season, actor Maggie Siff reads from the unfinished, unpublished memoirs of Platt, who wrote that the first time she watched the Bottle Rocket demo reel, she realized two things: that Anderson had a unique style; and that the lead actors, Luke and Owen Wilson, were movie stars.
Bottle Rocket was a non-starter at the box office, but Hollywood producers agreed with Platt about the Wilson brothers, who stayed busy in the years following their breakthrough. It took a while, though, for casting directors to figure out exactly how to use Owen, whose rakish charm, low-key good humor, and deep vulnerability were all tough to compress into the comic relief roles he kept getting offered. His experiences were a bit like what Hong Kong martial arts superstar Jackie Chan went through when he made his first attempt to crack the American market in the early ’80s, only to get stuck in thudding action pictures that didn’t showcase his grace, agility, or imagination.
By the time Wilson and Chan teamed up for the Wild West comedy Shanghai Noon, Chan had become a reliable moneymaker in the U.S.—first with dubbed and re-edited versions of his early ’90s Hong Kong hits, and then as a partner to comedian Chris Tucker in the 1998 buddy cop movie Rush Hour. In some ways, Shanghai Noon copies the rudiments of the Rush Hour formula, as Chan plays a fish out of water—a member of 19th-century China’s Imperial Guard, stranded in America—who gets not-so-helpful lessons about his new surroundings from an amiable doofus.
Wilson plays the doofus, Roy O’Bannon, an incorrigible outlaw with a romantic streak. The role was perfect for Wilson, who was essentially playing a cowboy version of Dignan, the fussy and optimistic would-be heist artist he created alongside Wes Anderson for Bottle Rocket. As Wilson’s Roy and Chan’s character, Chon Wang, scour Nevada saloons searching for the kidnapped Princess Pei-Pei (Lucy Liu), Shanghai Noon divides fairly evenly into scenes where Chan gets to bounce off trees and fling horseshoes, and scenes where Wilson gets to wax philosophical about whether he’s really cut out for criminal mischief. (“I felt like all the other cowboys hated my guts,” he sighs, after a botched train job.)
Even in the summer of 2000, Shanghai Noon felt a bit outdated. On multiple levels, it’s a throwback: to the kinds of odd-couple action-comedies that littered the multiplex in the’80s and ’90s, but also to the silly ’60s Westerns that trafficked in broad stereotypes about native people and pioneers. The movie’s schtick is slick and satisfyingly familiar but creaky.
Still, that’s where having a great cast helps. Liu brings uncommon poise and dignity to the thankless role of the damsel in distress, while Roger Yuan and Xander Berkeley make suitably cocky villains. There’s even a small, hilariously nutty Walton Goggins turn as the loose cannon in Roy’s gang. Yet what mostly makes Shanghai Noon so easy to rewatch 20 years later is that director Tom Dey lets his leads do their thing. Chan gets to be the overlooked little guy with the big talent, performing dazzling stunts with crack comic timing. And Wilson gets to be the lovable dreamer, who gives us the essence of The Owen Wilson Experience when he survives a near-death experience and then becomes all sappy, saying, “I’ve never noticed what a beautiful melody a creek makes. I’ve never taken the damn time.”
Availability: Shanghai Noon is available to stream for free (with ads) on IMDb TV. It can also be rented or purchased from Amazon, Google Play, iTunes, YouTube, Microsoft, Fandango, DirectTV, and VUDU.
22 Comments
Ugg, true story bro – I was on a plane back in the day and this movie came on. I was eating a bad mealy airplane apple back when flights still had meals. The plane hit some turbulence that would not stop. It was making me nauseous and the movie didn’t help things at all. I ended up getting to test out the barf bag. It worked perfectly.Anyway, I don’t think I could ever watch this movie now.-d
While Karina Longworth’s narration is a bit over-mannered for my tastes, You Must Remember This is one of my favorite podcasts, and the current arc of the Polly Platt story is really engrossing.
I love this movie and have watched it several times. The director’s commentary is one of the best and funniest I’ve listened to.
Growing up I loved all the old dubbed Jackie Chan movies like ‘Rumble in the Bronx”, so I was very excited to see this in the theater. I was not disappointed. I wish Owen Wilson still took roles like this (instead of ‘Cars’ for example.) Go ahead and skip ‘Shanghai Knights’ though.
“You said ‘wet shirt won’t rip’, not ‘piss shirt bend bars!’”
Same here! Rumble in the Bronx, goddamn Police Story, all so good.
I didn’t realize Police Story was a franchise and that First Strike was part of it. As a kid I would get so excited when the video rental store had a new Jackie Chan movie available. I had no internet back then so the only way to know about a new movie was to see it on the rental shelf. And don’t forget Mr. Nice Guy! “Jackie, someone stole my wheelchair!”
Never realized the Bronx has mountains in the background
That’s Bronx, British Columbia.
I have this on DVD and I distinctly remember Owen Wilson shouting out Walton Goggins in the commentary for his performance (which was like 2 minutes long). Good call on that one, Mr. Wilson.
Twenty years.It took me twenty years to get that title’s pun.
There’s even a small, hilariously nutty Walton Goggins turn as the loose cannon in Roy’s gang.Goggins takes what could have been a one note character and makes it a highlight of the movie.
“NO WINGIN’! YOU’VE LOST YOU’RE WINGININ’ PRIVILEGES!”
I remember this being one of the better American films Jackie Chan made. Been on a bit of a JC kick lately (pun intended), so I’ll have to rewatch this.
This was one of my favorites when I was 10.
Man I can’t stand Owen Wilson.
To this day “no, you said wet shirt don’t break. Not, piss shirt bend bar!” is still one of my all time favorite comedy lines.
My mum knows how that game they played in the bath from her childhood.
I agree with all of this. It’s broad, kinda out dated, but there’s a throwback charm that works, thanks largely to the leads doing what they do best. And yes, Lucy Liu makes a little something out of a nothing character. (Enough to get her cast in Kill Bill anyway)
So this is one of the maybe three or four good American films with Hong Kong actors/directors. It’s really amazing just how shit Chow Yung Fat’s American films are. I have no idea how they wasted so much talent.
I think I may be an outlier in that I preferred Shanghai Knights to Shanghai Noon and was a bit underwhelmed by the latter.