Every Steven Spielberg movie ranked, from E.T. to Jaws to … Crystal Skull

A comprehensive look at every film from one of cinema's greatest directors, including Spielberg's latest and most personal project, The Fabelmans

Film Features Steven Spielberg
Every Steven Spielberg movie ranked, from E.T. to Jaws to … Crystal Skull
(Clockwise from bottom left:) E.T. The Extra-Terrestrial (Courtesy of Universal Pictures), Jaws (Courtesy of Universal Pictures), Schindler’s List (Allstar/Cinetext/Universal), The Fabelmans (screenshot) Graphic: The A.V. Club

With 34 films and counting under his belt, Steven Spielberg has proven himself one of Hollywood’s most quintessential storytellers. His films satisfy our popcorn-devouring urges, offering awe-inspiring ambition, spectacle, and a distinctive flair. But there’s always artistic merit amid the commercial value—even in his critical misfires, as this painstakingly exhaustive ranking of those 34 titles can attest.

Oh, who are we kidding? Assessing the filmography of one of this generation’s most entertaining directors is no chore. Read on for The A.V. Club’s definitive, iron-clad, don’t-you-dare-question-it ranking of all of Spielberg’s features, from his debut film, Duel, to his newest, The Fabelmans.

previous arrow34. Indiana Jones And The Kingdom Of The Crystal Skull (2008) next arrow
INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL | Official Trailer | Paramount Movies

A divisive entry into the Indiana Jones movies, is a hoot if you take on its own terms. Constructed as a way to jumpstart the franchise with a younger star, the film ended up halting that prospect for more than a decade. Indy (Harrison Ford) is back and so is his one true love Marion Ravenwood (Karen Allen). They bicker a la Tracy and Hepburn, refusing to acknowledge their obvious connection. Complicating matters is their son (Shia LaBeouf) who goes by the unfortunate moniker of Mutt. The real scene-stealer, however, is as a Rosa Klebb-inspired villain in a campy, over-the-top performance that plays well into the film’s ludicrous plot. The less said about the titular mysterious artifacts—or the nuked refrigerator—the better. Spielberg, working from a story by George Lucas, keeps the action snappy with well-choreographed car chases and fights. The snakes, scorpions, quicksands—basically everyone’s phobias—are back too. It’s big, dumb action done with reasonably sophisticated flair. [Murtada Elfadl]

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