The A.V. Club’s 15 favorite books of 2020

Aux Features Best Of
The A.V. Club’s 15 favorite books of 2020
Graphic: Natalie Peeples

A certain amount of escapism through books would have been more than understandable in 2020. (And by “a certain amount” we mean “a lot.”) You’d be forgiven for favoring the comfort food of a reread or a beach read. Or for not reading at all. Because for every person who was able to forget themselves in literature, who found books to be a refuge in this year where the news of the day and the light of our screens was oppressive and inescapable, there was another, if not several others, who was too bleary-eyed to even pick one up. So what’s perhaps most unusual about this year’s list of favorite books is just how usual it is. These selections—represented as individual favorites, rather than consensus picks for the year’s best—feel like the books we would have chosen regardless of all that was going on outside our windows. They’re a pair of dark, violent novels in translation. Incisive nonfiction that examines the powerful (and not so powerful) people working within the startup industry. Books that interrogate broad societal concerns like climate change, immigration, and right-wing extremism, and those that examine grief, nostalgia, and personhood within single individuals. These are books that look at difficult things, rather than turn away (but don’t worry, there’s some fun in here too). 2020 sucked, these books don’t. Thanks for reading.

previous arrowEnter The Aardvark by Jessica Anthony (Little, Brown) next arrow
Enter The Aardvark by Jessica Anthony (Little, Brown)

FedEx delivers an unexpected package at your doorstep in Washington, D.C. You open it to find a stuffed aardvark that you last saw in the bedroom of your clandestine lover. You are a closeted Republican congressman with a Reagan fetish, currently gobsmacked by the “gigantic taxidermied beast” in your living room, and you are about to receive word that your lover is dead. Narratively ping-ponging between the second-person point of view and an account of the aardvark’s Victorian era origins, Jessica Anthony’s is a glorious guffaw-fest that skewers sex and masculinity, politics and power, science and secret-keeping. Someone should deliver this madcap novel into the hands of Armando Iannucci. [Rien Fertel]

50 Comments
Most Popular
Newest Oldest
Inline Feedbacks
View all comments
Share Tweet Submit Pin