The best movies to watch now on Paramount+

From the recent addition You Hurt My Feelings to Top Gun: Maverick toThe Godfather trilogy, Paramount’s streaming platform has solid options for film fans

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The best movies to watch now on Paramount+
Clockwise from top left: Mission Impossible (screenshot), The Godfather (Paramount/Getty Images), Hey Arnold! The Movie (Nickelodeon), Orphan: First Kill (Warner Bros.), To Catch A Thief (screenshot), The Ring (screenshot) Graphic: The A.V. Club

If Paramount+ isn’t your go-to choice yet when you’re in a movie-watching mood, you might want to reconsider. Backed by the impressive catalog of one of Hollywood’s oldest studios, the streaming service is loaded with some of Hollywood’s most revered classics, along with some more recent titles that are worth a look.

But how to wade through the overwhelming options and find the best of the best? That’s what The A.V. Club is here for—to point you in the right direction with our expert opinions on cinema old and new. In addition to acknowledged classics like To Catch A Thief and The Godfather trilogy, Paramount+ also features contemporary blockbusters like Top Gun: Maverick, the first six Mission: Impossible films (so you can prep yourself for next week’s arrival of Mission: Impossible: Dead Reckoning Part One), and smaller films like the recent A24 critical darling You Hurt My Feelings. So read on for our top recommendations.

This list was updated on January 27, 2024.

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76 DAYS | Official Trailer | Paramount Movies

One of the three people who directed , a documentary portrait of the COVID-19 crisis in Wuhan, is credited only as Anonymous, perhaps due to some legally problematic association with the hospital where most of the film was shot. That seems apropos in another way, though: Virtually everyone who appears on screen is functionally anonymous. All of the doctors and nurses working tirelessly to save lives are decked out in protective equipment that’s just one notch down from a hazmat suit; the film occasionally names them via superimposed text, but it’s still nearly impossible to keep track of who’s who. The patients, similarly, have their faces largely obscured, either by standard face masks or (much too frequently) by oxygen masks and intubation tubes. The visual interchangeability serves as a reminder that this exact same nightmare has played out all over the globe this year. Wuhan just happened to go through the wringer first, totally locking down a city more populous (11 million) than any in America. []

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